Research master thesis | African Studies (research) (MA)
open access
2020-05-31T00:00:00Z
Political conflict and polarization in Zanzibar have been examined by different scholars and from different (inter)disciplinary angles, often, however, to the exclusion of female voices. Trying to...Show morePolitical conflict and polarization in Zanzibar have been examined by different scholars and from different (inter)disciplinary angles, often, however, to the exclusion of female voices. Trying to mend this bias by exclusively exploring women’s perspectives, using mainly qualitative, in-depth interviews, I was able to identify the centrality of motherhood and mothering to the gendered standpoint of Zanzibari women, also in connection to their attitudes towards ‘the political’. Consequently, this thesis explores the roles the institution of motherhood and mothering as practice play in women’s navigation of (political) uncertainty and conflict in the islands. To establish the context in which this navigation takes place and to mend misconceptions about female (non-)participation in Zanzibari electoral politics, the active roles women have filled in the island’s political history are highlighted. To be able to understand the ‘maternal standpoint’, my respondents spoke and navigated from, local ideologies and experiences of motherhood and mothering are explored. The Swahili terms uchungu (bitterness) and kuhangaika (‘to roam about and struggle’) are central here, expressing the sacrifice that is often expected and performed by mothers. I develop the concept of ‘maternal navigation’ which takes into account the practices of actors who not only strategize to ‘get by’ and ‘get on’ as individuals but navigate uncertainty on behalf of and through others. This helps to make sense of my respondents’ practices as they consider risks and vulnerabilities while negotiating prevalent social, cultural, economic and political circumstances, for the sake of bringing about the best possible results for their children and families. In the political context, motherhood and mothering are shown to have a variety of sometimes contradictory influences, e.g. in connection to the promotion or dismissal of political peace-building. Mothers are also shown to develop specific maternal strategies in face of the risks of politics in the islands to safeguard themselves, but – most importantly – their families and children against political dangers and exposure. Overall, the complex and ambivalence force motherhood and maternal subjectivities represent in the political sphere and in relation to the navigational activities of Zanzibari women is highlighted.Show less
Research master thesis | African Studies (research) (MA)
open access
This thesis aims to explore African identity through a popular culture lens. It uses a comparative approach between Morocco and Senegal and focuses on three main components of popular culture:...Show moreThis thesis aims to explore African identity through a popular culture lens. It uses a comparative approach between Morocco and Senegal and focuses on three main components of popular culture: football, music and fashion. This research examines how the latter may or not promote a shared African identity between Morocco and Senegal. This thesis is based on an ethnographic study in Ifrane, Rabat and Essaouira in Morocco and Dakar in Senegal. It relies heavily on qualitative data resulting from seven month’s fieldwork in both countries. The research explores African identity through the stories of the people directly concerned, Africans. In the first instance, and as a way of understanding one population segment – the youth – semi-structured interviews were conducted with Moroccan students from Al Akhawayn University in Ifrane, which demonstrated the influence of some aspects of popular culture, but also of education in shaping their identities as Africans. In the same measure, interviews were also conducted with Senegalese students from University Cheikh Anta Diop in Dakar. Furthermore, this research also relies on interviews with older generations in both Morocco and Senegal, as well as participant observations by attending events related to music, fashion and football. Part of the research also relies on surveys conducted during the African Cup of Nations. This thesis showcases how popular culture promotes a shared African identity between Morocco and Senegal by, first, promoting African unity illustrated by football games, second, by promoting African history, through a music - Gnawa - that has traveled from Sub-Saharan Africa to North Africa to recall their stories, and third, by promoting African roots, highlighted by Moroccan young designers who use fashion as a tool to assert their African identity. Finally, this research aims to contribute to a larger academic debate on the separation of North Africa and Sub-Saharan Africa, by outlining popular culture as an important factor when studying and comparing the latter. Therefore, on a academic level, it aims to raise awareness with regards to paying more attention to North Africa as part of the African continent - thus part of African studies; and second, on a social level, as a way of promoting African identity and unity through the power of popular culture.Show less
The late 20th century has seen a rise of debates on the real effectiveness of international development cooperation programmes, at least in the way they were conceived and implemented starting from...Show moreThe late 20th century has seen a rise of debates on the real effectiveness of international development cooperation programmes, at least in the way they were conceived and implemented starting from the first post-WWII decades. The main outcome of these ongoing discussions has been the urgency of a “paradigm change” in development cooperation, in order to enhance its social impact and increase the resources dedicated to it. In chapter two, which is about my conceptual framework, I discuss this change more in detail. It implies shifting from a model based on unilateral actions from governments, public society organisations or private actors, in favour of multi-stakeholder collaborations between these three categories of actors, to pool together their specific resources and expertise towards the achievement of development goals. Chapter three is dedicated to presenting the emergence of this new paradigm of development cooperation, as well as the historical reasons that led to it, and how it is presently being implemented in the form of cross-sector collaborations. Of the latter, we will focus on the case of public-private partnerships and specifically on their application as instruments of blended finance, explaining the origins and the definitions of the concept and its potential advantages – as well as limits – compared to pure public or private development interventions. Chapter four will present a case study of a public-private partnership established between Dutch development agency “Aqua for All”, and Kenyan company “Hydroponics Africa”, for the realisation of a development project in the area of Nairobi and its surroundings. After introducing the project, we will evaluate the strong points and the shortcomings of Aqua for All’s approach to development cooperation in relation to the project at hand. This will be done by analysing the outcomes of interviews conducted with Hydroponics Africa’s CEO, directly involved in the elaboration and implementation of the partnership, as well as the people targeted by the project, to assess its results in terms of social impact.Show less
