Research master thesis | Literary Studies (research) (MA)
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In this thesis I want to create an intersectional, queer intervention in animal studies taking previous animal, critical race studies and queer theory intersections – ecofeminism, material feminism...Show moreIn this thesis I want to create an intersectional, queer intervention in animal studies taking previous animal, critical race studies and queer theory intersections – ecofeminism, material feminism and queer ecology – into account within the context of literary studies and cultural analysis. Therefore, I want to ask: In what way do intersectional alliances – both theoretical and artistic – formed from an animal and queer studies perspective, affirmatively (re)imagine (material) queer intimacies human-nonhuman relations to contribute to an nonanthropocentric framework? To answer this question, I want to employ the term/concept queer as both a critical and productive tool that enables transgression of disciplines and even the academy itself, into the material reality of non-human animals to examine human-animal relations and intimacies.Show less
Bachelor thesis | Film- en literatuurwetenschap (BA)
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This thesis touches upon key topics concerning intertextuality, adaption theory as well as postmodern tendencies through four extensive case studies of either works of (mainstream) film or...Show moreThis thesis touches upon key topics concerning intertextuality, adaption theory as well as postmodern tendencies through four extensive case studies of either works of (mainstream) film or literature. in doing so this thesis gives an original insight on how in recent years certain mainstream works of fictional filmic and literary works follow trends of rewriting pervading meta narratives and especially those of classic fairytales and superhero narratives within comic strips. as such, this thesis not only offers insights on (deliberate) intertextuality but also on intermediality and how it plays a prominent role in both fields of film and literature.Show less
Because contemporary network science is predicated on the assumption that similarity breeds connection, it transforms what seems to be an open web into poorly gated communities that propagate...Show moreBecause contemporary network science is predicated on the assumption that similarity breeds connection, it transforms what seems to be an open web into poorly gated communities that propagate already-existing forms of prejudice and discrimination. If the algorithmic fabric of social media platforms pushes people with the same views and interests towards each other, what does this mean for queer individuals in Beirut inhabiting a city whose very urban fabric segregates and limits their interaction in public space? What possibilities can the digital realm provide queer lives in a cyberspace unhinged by the geography of residence and the materiality of the body? I attempt to answer those research questions by relying on Sara Ahmed’s Queer phenomenology (2006) and on Wendy Hui Kyong Chun’s (2016) concept of “homophily”. Those theoretical lenses will guide my use of auto-ethnography and close visual analysis to explore the outputs and social media strategies of two case studies of visual activism in Lebanon: Beirut By Dyke and Kikafilmadina. My personal experience as a member of civil society groups in Beirut and my positionality as the creator of Beirut By Dyke orient me, to borrow Sara Ahmed’s term, towards these pages as cultural objects. The concept of the social media accounts, which revolves around the narrativization of queer inhabitance in space, propels me toward Sara Ahmed’s theory around sexuality as residence. Conversely, the social impact generated by both social media accounts on collective imaginations and social participation in cyber and physical space leads to me to question how “homophily” (Chun 2016) can be used to challenge the neoliberal assumptions it was built on. My aim is to counter existing literature around gender and digital culture whose understandable focus on the capitalistic and behaviorally predictive valence of social platforms is grim and dystopic (Goldberg 2016). Instead, I suggest that the study of platforms like Instagram offers a resource for queer studies insofar as it “emphasizes the importance of lived experience, the intentionality of consciousness, the significance of newness, or the role of repeated habitual action in shaping bodies and the world” (Ahmed 57). It is specifically the power of repeated habitual actions that I want to focus on in exploring digital possibilities. In a context where systemic oppression is difficult to dismantle and social change impossible to imagine, the creation of new paths is, after all, a labor of repetition.Show less
A closer look at three case studies in which genderfluidity within 2D animation is portrayed and drawn outside the conventional gender binary. Case studies include Steven Universe, Toph Beifong,...Show moreA closer look at three case studies in which genderfluidity within 2D animation is portrayed and drawn outside the conventional gender binary. Case studies include Steven Universe, Toph Beifong, and Jiro Ghianni's non-gendered shapes.Show less
This thesis focuses on the contemporary queer photography of the artists Zanele Muholi, Momo Okabe, and Zach Blas. More specifically, it examines the role of different theories on gender, queerness...Show moreThis thesis focuses on the contemporary queer photography of the artists Zanele Muholi, Momo Okabe, and Zach Blas. More specifically, it examines the role of different theories on gender, queerness, and photography in connection to queer time and space, haptics, affect, and queer opacity. These aesthetic elements are treated as potentially subversive in relation to Gilles Deleuze’s concept of the society of control. The frameworks of both queer and photography theories are employed to analyze the photographs’ formal and political aspects in order to explore their subversive possibilities. My readings and analysis of the photographs suggest that each of these artists deploys aesthetic features as queer tactics to resist the society of control. Additionally, based on the analysis of my own photographic series, Showering with Glasses (2018), I provide an artist’s perspective on possible methods to approach queer aesthetics and the ways in which they might be harnessed as queer tactics. By specifically addressing contemporary queer photography, my hope is to provide insight into what this genre is capable of achieving in the real world.Show less
Bachelor thesis | Film- en literatuurwetenschap (BA)
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Aan de hand van een bespreking van de films Memories of Underdevelopment (Tomás Gutiérrez Alea, 1968) en One Way or Another (Sara Gómez, 1974) poog ik de cinematische kwaliteit van Cubaanse Third...Show moreAan de hand van een bespreking van de films Memories of Underdevelopment (Tomás Gutiérrez Alea, 1968) en One Way or Another (Sara Gómez, 1974) poog ik de cinematische kwaliteit van Cubaanse Third Cinema te bepalen, als het gaat om de representatie van vrouwelijke potentie.Show less
Bachelor thesis | Film- en literatuurwetenschap (BA)
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This thesis explores how the second wave feminist work The Lesbian Body deconstructs heterosexual discourse and at the same time creates a new subject that is not part of a heterosexual structure.
