Research master thesis | Classics and Ancient Civilizations (research) (MA)
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The main question answered in this thesis 'The figurability of theory. The philosophical significance of circularity in Parmenides’ is how circularity figures Parmenides’ doctrine and what its...Show moreThe main question answered in this thesis 'The figurability of theory. The philosophical significance of circularity in Parmenides’ is how circularity figures Parmenides’ doctrine and what its philosophical significance is. A significant and recurring notion in all three parts of the poem, circularity is employed as a didactic tool to demonstrate the theory to the audience, as a polemic notion to contrast his theory with the ones of his predecessors or the other section of his own poem (the δόξαι in case of the ἀλήθεια and vice versa), and as a reflective means to stress key aspects of his own theory. I employ notions from Marin’s semiotics of images, such as the deictic frame and the theoretical objects, having adapted them in order to make them fit for application to archaic Greek poetry rather than visual arts.Show less
Research master thesis | Classics and Ancient Civilizations (research) (MA)
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This thesis explores the interaction between pre-Socratic philosophy and the Prometheus Bound, a drama normally attributed to Aeschylus. My aim is to investigate the process whereby the dramatist...Show moreThis thesis explores the interaction between pre-Socratic philosophy and the Prometheus Bound, a drama normally attributed to Aeschylus. My aim is to investigate the process whereby the dramatist incorporates theoretical contents elaborated by early Greek philosophers that are in principle alien to his art. What role do such contents play when transposed onstage? And how does the tragedian contribute, through their re-elaboration, to the intellectual debates of his times? By examining the Prometheus Bound against some of the theological, ethical and epistemological notions of the pre-Socratics, this thesis aims at shedding new light on the interconnection between drama and contemporary philosophical speculation.Show less