"Pride and Prejudice" by Jane Austen is compared with a couple of books from the popular self-publishing website, Wattpad. It is examined whether Elizabeth Bennet and Mr. Darcy fit the archetypes...Show more"Pride and Prejudice" by Jane Austen is compared with a couple of books from the popular self-publishing website, Wattpad. It is examined whether Elizabeth Bennet and Mr. Darcy fit the archetypes of 'good girl" and "bad boy" respectively and whether their relationship can be classified as "enemies to lovers."Show less
This thesis critically explores the published scholarship on the concept of eighteenth-century chastity, and examines how chastity and agency function within the literature by conducting a...Show moreThis thesis critically explores the published scholarship on the concept of eighteenth-century chastity, and examines how chastity and agency function within the literature by conducting a historically-informed close reading of Richardson’s Pamela and Haywood’s Fantomina. It demonstrates that the literary representations of virtue in these novels reveal the construction of virginity as a performance of an intangible concept that is economically valuable, and highlight the fact that virginity is intrinsically linked to the concept of agency.Show less
This thesis explores the question of how Andrew Davies’ 1995 BBC serial adaptation and Joe Wright’s 2005 movie adaptation of Jane Austen’s homonymous Pride & Prejudice (re)present female desire...Show moreThis thesis explores the question of how Andrew Davies’ 1995 BBC serial adaptation and Joe Wright’s 2005 movie adaptation of Jane Austen’s homonymous Pride & Prejudice (re)present female desire on screen. This research examines and consults adaptation theory to gain a better understanding of what transpires when adapting a concept such as desire from a novel onto a screen. Implicit instances of desire are explored in the novel, so as to contrast those occurrences with how they are translated on to the screen. Close readings of relevant scenes provide insight into the use of camerawork, acting, dialogue and framing and how they enhance the audience’s attention to the depictions of desire, love, attraction and interest. What this research can conclude is that both productions acknowledge the desire present in the novel, be it implicit, and translate it onto the screen in a literalized manner, highlighting on different ways how that desire could be conveyed. Both adaptations recognize the importance of transmitting information through glances and looks – their focus ranging from shared looks between characters to the female’s independent gaze.Show less
Robinson Crusoe has been known for his adventures on a deserted Island, but not many know of the spiritual journey he went through during his time on the island. Robinson Crusoe starts to rethink...Show moreRobinson Crusoe has been known for his adventures on a deserted Island, but not many know of the spiritual journey he went through during his time on the island. Robinson Crusoe starts to rethink his relationship with God and he starts to base his life's purpose on divine providence. After analyzing his conversion I come to find his attitude towards God and religion has not changed as much as one would like to think after reading about his isolation.Show less
Little Women by Louisa May Alcott is often praised for the way it encourages women to chase their own dreams and break out of the rigid gender norms that often confine them. However, simultaneously...Show moreLittle Women by Louisa May Alcott is often praised for the way it encourages women to chase their own dreams and break out of the rigid gender norms that often confine them. However, simultaneously, the novel also seems to value and even encourage nineteenth-century ideals and gender roles, and encourage women to be selfless. The question then becomes how the novel is able to promote these seemingly contradicting values alongside each other, and what effect this has on its message. This thesis set out to find an answer to this question by examining in detail how both self-fulfillment and selflessness are being promoted in Little Women. Doing so showed that the novel actually approaches both ideas with incredible nuance. Women are generally encouraged to pursue self-fulfillment, regardless of societal expectations and gender norms, but only when selflessness is part of this self-fulfillment. Similarly, selflessness is encouraged as long pursuing it does not happen at the expense of personal happiness and fulfillment. The novel shows that the two ideas are, in fact, more complicated than they seem, and that though self-fulfillment and selflessness appear to be two opposing values, they are actually not mutually exclusive.Show less
Early eighteenth-century Britain was the setting for two major domestic shifts: the way 'family' was defined and the way the order of gender roles were perceived.This led to opportunity for the...Show moreEarly eighteenth-century Britain was the setting for two major domestic shifts: the way 'family' was defined and the way the order of gender roles were perceived.This led to opportunity for the rise of female agency and female education. Samuel Richardson's Pamela and Henry Fielding's Joseph Andrews give an impression of what these developments did to the literature of that time.Show less
