This MA Thesis discusses the way in which Toni Morrison’s Beloved and Yaa Gyasi’s Homegoing represent the notion of the transmission of the traumas of slavery. Both Beloved and Homegoing represent...Show moreThis MA Thesis discusses the way in which Toni Morrison’s Beloved and Yaa Gyasi’s Homegoing represent the notion of the transmission of the traumas of slavery. Both Beloved and Homegoing represent the notion that traumas need to be narrated, and witnessed by others, or they will continue to have a negative impact on multiple generations, not only the generations of the present, but also those of the future. They do, however, differ significantly in the way in which they portray the notion of transmission of trauma. In Beloved, Denver is mostly traumatized not by being enslaved but by living with a mother who is traumatized by slavery, whilst in Homegoing the recurrent tropes of a black necklace, fire, and fear of water in the stories of the various generations suggest that the collective trauma of slavery is transmitted from one generation to the next. This is a significant difference, because it suggests the novels engage differently with the question central to the scholarly debate on transmission of trauma: can trauma be transmitted or is it the traumatized parent who creates a traumatizing atmosphere for the child?Show less
The focus in Afrofuturist scholarship has always been on the ways in which the black experience, particularly the forcible dislocation of the Middle Passage, has been akin to sensations of...Show moreThe focus in Afrofuturist scholarship has always been on the ways in which the black experience, particularly the forcible dislocation of the Middle Passage, has been akin to sensations of alienation and “Othering” explored in science fiction and speculative fiction. While a range of technologies have been analyzed in the context of Afrofuturism, from sonic, to digital, to even aerospace technologies, I argue in this thesis that there is a gap in scholarship on the medical technologies that undergird the alienation experienced by African Americans. To fill this gap, my research focuses on two works of fiction, Ralph Ellison’s classic novel Invisible Man (1952) and Jordan Peele’s recent movie Get Out (2017), that deal with the oppressive power of medicine. I argue that in both narratives medical experiments are used to take control over black bodies and minds, and I position this political violence into a history of medical experimentation and abuse on African Americans as well as Afrofuturism. As much as the medical mistreatment that the protagonists in these texts suffer seems exclusive to the world of science fiction, it has been, and might continue to be, part of the real experience of black Americans.Show less
One of the central points developed in this thesis is that the Nigerian-Biafran War, represented in Chinua Achebe's Girls at War and Other Stories (1972) and Chimamanda Ngozi Adichie's Half of a...Show moreOne of the central points developed in this thesis is that the Nigerian-Biafran War, represented in Chinua Achebe's Girls at War and Other Stories (1972) and Chimamanda Ngozi Adichie's Half of a Yellow Sun (2006), exacerbates the deterioration of Biafra by revealing the inherited corruption adopted from colonisation. The lives and identities of both Achebe's and Adichie's central characters are dramatically altered when exposed to the trials and traumas of civil war; relationships break down, national pride falters and societal constructs are dismantled. By humanising stories of civil conflict, both narratives work towards shaping and legitimising the wartime experiences of the Igbo community, whose struggle for independence has often been blamed as the cause of a disastrous civil war.Show less
A intellectual history research. How did the ideas on philanthropy and doing good in America evolve from 1650-1830? Increased individualism and secularism influenced the way in which philanthropy...Show moreA intellectual history research. How did the ideas on philanthropy and doing good in America evolve from 1650-1830? Increased individualism and secularism influenced the way in which philanthropy and doing good were viewed.Show less
Due to an increasing public push for multiculturalism in mainstream media, films have (at least since the 1990s) been attempting to give a more positive representation of what is deemed to be a...Show moreDue to an increasing public push for multiculturalism in mainstream media, films have (at least since the 1990s) been attempting to give a more positive representation of what is deemed to be a racial and cultural Other from the target audience’s perspective, and animation films are no exception. Case in point, while the two animated films discussed in this study, The Book of Life (2014) and Coco (2017), are made by different studios, they share a general goal of trying to give such a representation of a racial and cultural Other for a Western target audience. This goal makes these films some of the latest examples in a long trend of American animation aiming to broaden their representation of minority cultures and ethnicities, in response to pressure from various social movements in the 1990s (Palmer 2, 4). Consequently, such animation has increasingly received academic reading, with scholars studying the medium’s role in the representation of racial and cultural Others and multiculturalism in general. This study will add to this budding field by analyzing two contemporary iterations of this representational trend.Show less
In my analysis of Art Spiegelman’s In the Shadow of No Towers (2004), Jonathan Safran Foer’s Extremely Loud & Incredibly Close (2005) and Kurt Vonnegut’s Slaughterhouse Five (1969), I will look...Show moreIn my analysis of Art Spiegelman’s In the Shadow of No Towers (2004), Jonathan Safran Foer’s Extremely Loud & Incredibly Close (2005) and Kurt Vonnegut’s Slaughterhouse Five (1969), I will look at the ways in which writers employ various literary techniques (fragmentation, syntax disruption, ellipses, text/image layout, repetitions, symbols, photograph insertion, intertexts, framing of panels, and so on) in order to represent the unspeakable and evasive nature of traumatic experiences. The use and interplay of these techniques in the image-text setting of the two novels and Spiegelman’s graphic narrative leads to the construction of discursive events that help the reader understand and feel emotionally engaged with the narrator’s story, thus encouraging empathetic reading and contributing to secondary witnessing of the narrator’s trauma on the part of the reader.Show less
This thesis applies Du Bois's and Fanon's theoretical concepts about the construction of black identity in a white-dominated and postcolonial context to Van Vechten's Nigger Heaven and McKay's Home...Show moreThis thesis applies Du Bois's and Fanon's theoretical concepts about the construction of black identity in a white-dominated and postcolonial context to Van Vechten's Nigger Heaven and McKay's Home to Harlem - two novels of the Harlem Renaissance which have garnered little scholarly attention to date. Thesis statement: "Both Van Vechten and McKay wrote from a context which invested the dominant white culture with more value than its black counterpart. Although Van Vechten was sympathetic to African Americans, his white patriarchal perspective bleeds through the cracks of his narrative and his novel’s characters fail to escape stereotype and allegory. McKay shows himself as aware of black stereotypes as Van Vechten is, but he sometimes challenges them explicitly. The trouble, however, is that McKay’s construct of blackness depends to a far greater degree on an adherence to the dominant white paradigm than the author himself seems aware of: he has internalized the white value system of his Other. Constructing the black Self on the stage of the white Other, as Frantz Fanon would say, proves perpetually problematic."Show less
The claim to female slave agency is compared in the narratives of Sojourner Truth and Harriet Jacobs, in which the claim that slavery is immoral, is presented as the main argument.
Racism is one of the main social issues in the United States which manifests itself in widespread unrest such as the LA riots after the acquittal of the officers responsible for savagely beating...Show moreRacism is one of the main social issues in the United States which manifests itself in widespread unrest such as the LA riots after the acquittal of the officers responsible for savagely beating Rodney King in the late 1990s and the emergence of the Black Lives Matter movement in the mid 2010s in the United States. Over the course of the last few decades Hollywood has increased its frequency of producing movies which are set in times of slavery. The degree of (relative) agency of the black protagonists in a selection of these movies (Amistad, 12 Years a Slave and The Birth of a Nation (2016)) becomes a method to criticise the persistence of racial injustice in the United States .Show less
