In this thesis the Dementor from the Harry Potter series is studied as a monster within the framework of monster theory. The Dementor is read as a symbol for depression.
The author Agatha Christie wrote more than sixty detective novels between 1916 and 1973. Christie wrote her detective stories during a time in which English society also experienced the first and...Show moreThe author Agatha Christie wrote more than sixty detective novels between 1916 and 1973. Christie wrote her detective stories during a time in which English society also experienced the first and second wave of feminism. This thesis will investigate to what extent the first and second wave of feminism influenced Christie’s depiction of her well-known female detective Miss Marple and her views on women’s roles and identities in British society. This analysis will focus on the following three Miss Marple novels: The Murder at the Vicarage (1930), A Murder is Announced (1950), and Nemesis (1971). Eventually, this thesis will show that the feminist thought and activism key to the first and second wave of feminism have had a significant influence on Christie’s depiction of Miss Marple. Throughout these years, Christie has gradually increased Miss Marple’s agency, prominence and engagement with feminist thought expressed in her time. Even so, the exploration of feminist thought concerning same-sex relationships presents to be a boundary for Christie.Show less
This thesis examines the potency of film dialogue as an articulator of fear in Robert Eggers’ The Witch (2015) and The Lighthouse (2019). Using extant studies on film dialogue as its groundwork,...Show moreThis thesis examines the potency of film dialogue as an articulator of fear in Robert Eggers’ The Witch (2015) and The Lighthouse (2019). Using extant studies on film dialogue as its groundwork, this thesis employs a close reading of the dialogue in Robert Eggers’ films. Ultimately, it argues that Eggers’ films utilise dialogue in order to articulate their contextual fears, rather than the visual language that predominates the horror genre.Show less
This thesis presents an analysis of the way language is used as a form of power in Nineteen Eighty-Four and Fahrenheit 451. Orwell’s Nineteen Eighty-Four represents a society which uses the...Show moreThis thesis presents an analysis of the way language is used as a form of power in Nineteen Eighty-Four and Fahrenheit 451. Orwell’s Nineteen Eighty-Four represents a society which uses the manipulation of meaning in order to restrict individual thought. Bradbury’s Fahrenheit 451 likewise presents a government whose goal it is to diminish individual thought. However, Fahrenheit 451 focuses more on the violent destruction of written language.Show less
