Although speculative fiction in all its iterations has historically mostly been the domain of white, Western men it inherently possesses the capacity for theorizing different futures. This thesis...Show moreAlthough speculative fiction in all its iterations has historically mostly been the domain of white, Western men it inherently possesses the capacity for theorizing different futures. This thesis will explore the works of speculative fiction by three female authors of color: N.K. Jemisin’s Broken Earth trilogy, Octavia Butler’s Parable duology and Nnedi Okorafor’s Who Fears Death to examine how these novels imagine alternative futures. The theoretical framework will consist of the integration of posthumanist thought with cyborg theory and postcolonial theory, as these theoretical approaches all share the theorization of challenge to dominant power structures. Ultimately, this thesis will read these works and specifically their main characters as figures who straddle or ascend boundaries and in doing so, offer possibilities for transformation and resistance.Show less
An inquiry into the transformation of the collective U.S. memory of the Tulsa Race Massacre through remediation in HBO's Watchmen (2019) and Lovecraft Country (2020).
In this thesis, the argument is made that the extent to which secrecy was employed in early twentieth-century lynching in the American Deep South is dependent on whether that secrecy provided the...Show moreIn this thesis, the argument is made that the extent to which secrecy was employed in early twentieth-century lynching in the American Deep South is dependent on whether that secrecy provided the desired sense of security from persecution to those participating in a lynch mob. Using three case studies, ranging from a highly publicized and public killing in Waco, Texas, to a group slaying of remotely situated Mexican Texans by a division of Texas Rangers, to a highly coordinated attack on a jewish factory boss in the dark of night, it is argued that either the cover of obscurity or the anonimity in a large group setting could each supply the needed sense of safety for those participating in the lynching to commit to the act fully. The circumstances which would dictate the public or secretive approach varied widely in the studied cases, yet there are some common grounds to be found among them as well.Show less
This research examines the construction of the ambiguous category of Jewishness through the affective ‘desire for Jewish identity’ expressed in a number of canonical post-war works of Jewish...Show moreThis research examines the construction of the ambiguous category of Jewishness through the affective ‘desire for Jewish identity’ expressed in a number of canonical post-war works of Jewish-American fiction by Philip Roth, Bernard Malamud, and Joshua Cohen. Building on recent work by Benjamin Schreier, Jonathan Freedman, and Walter Benn Michaels this thesis problematises the racial underpinning of Jewish identity, as well as reopening the broader question of the relation between race and culture in multicultural understandings of identity. Ultimately it makes an argument for the field of Jewish American studies to move away from a critical practice that begins with the prior category of “identity” towards one that places an analysis of the affective “desire for identity” at the heart of its critical project.Show less
A comparative analysis between Nella Larsen’s Passing, Toni Morrison’s The Bluest Eye and Brit Bennett’s The Vanishing Half. The thesis explores the texts through the lens of trauma theory and...Show moreA comparative analysis between Nella Larsen’s Passing, Toni Morrison’s The Bluest Eye and Brit Bennett’s The Vanishing Half. The thesis explores the texts through the lens of trauma theory and postcolonial theory and considers the relation between trauma, colorism and passing. It finds that even though all three novels challenged the notions of colorism (at their time of publication) through the use of narrative stylistics, they all use different strategies to achieve this objective. To be more specific, while Passing and The Bluest Eye use a narrative style which is associated with Modernism and Postmodernism, The Vanishing Half adopts narrative devices which can be best explained with postcolonial theory.Show less
The anti-imperialists in the United States, unified in the Anti-Imperialist League (AIL) used race among various other arguments to oppose the annexation of the Philippines after the Spanish...Show moreThe anti-imperialists in the United States, unified in the Anti-Imperialist League (AIL) used race among various other arguments to oppose the annexation of the Philippines after the Spanish-American War (1898). The primary argument of the AIL was that the annexation devalued the American founding principles, although other arguments, such as race, were raised as well. Earlier works have examined the relation between race and (anti-) imperialism in the context of American imperialism at the end of the nineteenth century, albeit in a broader context. This thesis aims to determine in what ways race was fundamental to the AIL’s views of the annexation of the Philippines. To determine how fundamental race was to these views, this thesis analyses documents and speeches of six AIL members, belonging to three different movements within the AIL: the rights activists, the Social Darwinists, and the white supremacists. These documents show that the perception of race plays a role in structuring the argument of race, yet it also structures other political, administrative, and labor-related arguments. These results show that the perception of race was fundamental in the shaping of several arguments against annexation.Show less