Research master thesis | Asian Studies (research) (MA)
closed access
This thesis investigates how the cities Yuan Shangdu, Dadu and Jining compare when looking at their locations, layouts, trading positions, and distribution of material objects that were retrieved...Show moreThis thesis investigates how the cities Yuan Shangdu, Dadu and Jining compare when looking at their locations, layouts, trading positions, and distribution of material objects that were retrieved at archaeological excavations. The three case studies on the three cities portray their significance during the Yuan dynasty, on cultural, economic and political level. The thesis compares two capital cities of the Yuan dynasty and one hinterland city. The case studies structurally compare the layouts, which are all three very different from each other. Material objects that were excavated at the archaeological sites of Shangdu and Jining, imply that Shangdu was not so much a trading city but rather served the Yuan court, whereas Jining was a trading city in the hinterlands of the Yuan where many ceramics and other material objects were excavated. Dadu on the other hand, played an important role on both imperial political as trading levels.Show less
Research master thesis | Asian Studies (research) (MA)
open access
In 2013, the re-opened Nanjing Museum added the Gallery of the Scene of the Republican Period (abbreviated as the Republican Gallery) to its permanent exhibition. This research attempts to explore...Show moreIn 2013, the re-opened Nanjing Museum added the Gallery of the Scene of the Republican Period (abbreviated as the Republican Gallery) to its permanent exhibition. This research attempts to explore the curatorial aim by examining the conceptualization of this exhibition hall. It suggests that the Republican Gallery has simplified the nature of Republican China and presented a selected, idealized Republican street view which the public is familiar with through mass media. By examining the Republican Gallery, the research expects to achieve a better understanding of the connection between memory and museums.Show less
This paper tackles the question of state-initiated identity construction at home, which is integral to the CCCP’s regime legitimacy. The main focus of the article is a case study on the World Expo...Show moreThis paper tackles the question of state-initiated identity construction at home, which is integral to the CCCP’s regime legitimacy. The main focus of the article is a case study on the World Expo held in Shanghai in 2010. This project investigates how iconic images from the Shanghai Expo 2010 (slogan, opening ceremony, logo, and venues’ architecture) form a visual narrative in which Chinese history and identity are configured to meet the political goals of the Central Communist Party. This paper contends that, during the staging of Shanghai World Expo 2010, the Chinese ruling elite propagated official image in a continuous effort to reproduce the beliefs of the population in the Communist Party’s leadership qualities. This paper suggests that the attempts of the Chinese government to strengthen its legitimacy can be connected to the process of national identity creation.Show less
