Young adults are continually confronted with instability and crises, as well as traumatic events at large. Considering that literature, and Young Adult literature specifically, can be seen as a...Show moreYoung adults are continually confronted with instability and crises, as well as traumatic events at large. Considering that literature, and Young Adult literature specifically, can be seen as a reflection of the lived experience, it is expected that the existence of such trauma influences the novels written. The ability of Young Adult literature to reflect the lived experience, and the necessity for it to do so, is also discussed by columnist and author Michael Cart in 2016, literature researcher Bruce Carrick in 2017 and literature studies researcher Amy Elliot in 2015. However, they do not specifically note on the place of trauma in this reflection. This thesis considers how trauma affects the narrator’s voice. To do so, Canadian author Sebastien de Castell’s fantasy Young Adult novels Way of the Argosi and Spellslinger were taken as a case study. Ferius and Kellen, the respective protagonists of the aforementioned novels, are confronted with traumatic experiences, such as torture and genocide. Due to perceived commonalities in the situations of the protagonists, and their communities, to that of Indigenous communities, knowledge of the latter is used to make sense of the former. Similarly, knowledge of the Holocaust was used to contemplate the fictional narrative. Knowledge on trauma in these real world communities was gained from articles by, among others, psychologists Sarah Panofsky et al. (2021) and social worker Elizabeth Fast and psychologist Delphine Collin-Vézina (2010). Due to the influence trauma can have on the lived experience, there was a need for discussing the reliability of the narrator of each novel. As a result, this thesis looked to the articles on unreliable and fallible narrators by religious studies professor Catherine Caufield, published in 2021, and cultural studies researcher Greta Olson, published in 2003. A close reading of the novels found trauma to affect not only the narratorial style, such as through narrative fragmentation, but also the narrator’s reliability and tone of voice. Though the narrators of Way of the Argosi and Spellslinger were not affected similarly in narratorial style, with the former’s narration being more fragmented as opposed to the linear narration of the latter, the tone of voice is comparable. In both cases, there is a clear influence of fear and resentment on the narrator’s voice. The reliability of the respective novels narrators is also similarly fallible, though due to different reasons. The insight provided by the novels to the readers allow for a fostering of understanding between different real-life cultures, histories and life-journeys.Show less
Recent developments in adaptation studies have found influence in poststructuralist studies, and prioritise a non-hierarchical, open approach to adaptations, rather than the previous comparative...Show moreRecent developments in adaptation studies have found influence in poststructuralist studies, and prioritise a non-hierarchical, open approach to adaptations, rather than the previous comparative approaches that determined the framework for adaptation studies. This new perspective, in line with the poststructuralist de-emphasis of the figure of the literary author, diminishes the role of the literary author in the meaning of a literary text. This allows the adaptation to be examined in relation to the adapted text. Which aids the acknowledgement of their interconnection, without discrediting the adaptation, and encourages the examination of the respective cultural and social contexts of the adapted text, and the adaptation. However, images of literary authors return throughout pop culture, even in cinematic adaptations. This thesis is concerned with the portrayal of literary authors in cinematic adaptations of their literary works. In relation to Barthes' 'The Death of the Author' and other theories on literary authorship, this thesis examines the potential function of a representation of the literary author in an adaptation of their literary text.Show less
The era of Western colonialism and slavery has ended, but racism and discrimination still exist and the privileged position that White people still have in Western society makes it difficult for...Show moreThe era of Western colonialism and slavery has ended, but racism and discrimination still exist and the privileged position that White people still have in Western society makes it difficult for people of colour to trust them, no matter these White people’s often good intentions. Similarly, but also in a more visibly extreme way, the struggle against racism in South Africa did not end with the abolition of Apartheid. Scholars think differently about what the appropriate response would be of White South Africans to their dark history. Should they withdraw in silence and humility? Alternatively, should they play an active role in the future of the country? And how? From her position as a White Dutch woman, Zijlstra has explored the issues of race, identity and progressive change in South African literature. For White South African authors, silence was never an option, but they were nonetheless aware of their ambiguous position. With the analysis of three novels from such authors (Burger’s Daughter (1979) by Nadine Gordimer, The Rights of Desire (2000) by André Brink, and The Promise (2021) by Damon Galgut), this thesis aims to contribute to a nuanced view on both the controversy around the position of well-intentioned White people in a position of privilege, and their possibilities to take responsibility. The theorists who inform the analysis are Michael Rothberg (2019) with his concept of the implicated subject, Melissa Steyn (2001) with her research on the fragmentation of White identity in South Africa after Apartheid, Shannon Sullivan (2006) with her theory on unconscious racial habits, and Zoë Wicomb (2018) with her critical eye on myths of traditional culture and identity, as well as on the responsibility of literary authors.Show less
This thesis studies Patricia Lockwood's novel No One Is Talking About This and Maxime Garcia Diaz' poetry collection Het Is Warm In De Hivemind in search of an understanding of the forms of affect...Show moreThis thesis studies Patricia Lockwood's novel No One Is Talking About This and Maxime Garcia Diaz' poetry collection Het Is Warm In De Hivemind in search of an understanding of the forms of affect that arise in an online/offline dynamic. It brings this affect in conversation with theories of metamodernism and postdigitality. It puts forth a sensibility called the postdigital, metamodern sensibility in which the poles of postmodern irony and cynicism and modern enthusiasm and naivety exist in a fluid dualism with eachother, as opposed to in the oscillation proposed by the metamodern school.Show less
This thesis explored the Afropessimism framework for examining the dynamics of race and racial inequality in the United States and Brazilian contexts and its potential for advancing racial justice...Show moreThis thesis explored the Afropessimism framework for examining the dynamics of race and racial inequality in the United States and Brazilian contexts and its potential for advancing racial justice efforts. It examined and answered the following questions: How does the critical perspective of Afropessimism impact the experiences and identities of individuals of African descent in the Americas, specifically in the U.S. and Brazil? How does Afropessimism critique the effectiveness of the human rights framework in securing racial justice for individuals within the African diaspora? To examine the translatability of Afropessimism to a different cultural context other than that of the U.S., I researched whether this theoretical framework could also accurately explain the historical and contemporary experiences of Black individuals in Brazil. These questions aimed to evaluate the extent to which Afropessimism, departing from other racial theories, such as intersectionality, questions the efficacy of the human rights framework in transforming society and its social institutions, as a means of irrevocably achieving racial justice.Show less
This thesis questions how discursive practices in different adaptations of the same fairy tale: Little Red Riding Hood, reflect social and ideological values of their time and place, with regard to...Show moreThis thesis questions how discursive practices in different adaptations of the same fairy tale: Little Red Riding Hood, reflect social and ideological values of their time and place, with regard to gender ideologies and gender representation. This analysis is guided by poststructural theories of feminism that consider gender as a socially produced category, predominantly through language. This allows for the reading of “girlhood”, as a contested category involving various and often competing discourses of femininity. Additionally, this research relies on critical discourse analysis, which allows for a close reading of the authors’ linguistic choices that are potentially significant, as they encode and promulgate particular ideologies.Show less
This thesis is a study of word and image in a long poem by the American artist John Cage. Discussing the ethics of reading and the implication of the critic in the work of criticism, I argue that...Show moreThis thesis is a study of word and image in a long poem by the American artist John Cage. Discussing the ethics of reading and the implication of the critic in the work of criticism, I argue that Cage's text calls for an "architectonic" theory of reading which accounts for the materiality of written language.Show less
Human beings make sense of the world through the stories that they tell. Contemporary media is still predominately postmodern, but there are signs that there is a shift towards a new ‘post...Show moreHuman beings make sense of the world through the stories that they tell. Contemporary media is still predominately postmodern, but there are signs that there is a shift towards a new ‘post-postmodern’ paradigm. In this thesis I will analyze this shift through the figure of the literary vampire, introducing the concept of the hauntological dominant of post-postmodernism.Show less
Authors of books on minimalism often frame a simple lifestyle as a countercultural mode of resistence to a society made unbearable by consummerism. Decluttering and deciding to severely limit one's...Show moreAuthors of books on minimalism often frame a simple lifestyle as a countercultural mode of resistence to a society made unbearable by consummerism. Decluttering and deciding to severely limit one's purchases are seen as reliable ways to achieve happiness and to live more sustainably. What this thesis argues is that, far from proposing alternatives to a late-capitalist system that is alienating and environmentally disastrous, narratives of lifesyle minimalism fully embrace a neoliberal ethos of personal responsibility, individualization and faith in the free market. These recurring themes, together with a thoroughly depolicized view of social engagement, emerge over and over again in my analysis of two central topics in minimalist how-to literature: the pursuit of happiness and the attempt to reduce one's environmental footprint.Show less
A throrough analysis of Madeline Miller’s The Song of Achilles (2011), Pat Barker’s The Silence of the Girls (2018) and Nathalie Haynes’ A Thousand Ships (2019) as rewritings of Homer's Iliad, in...Show moreA throrough analysis of Madeline Miller’s The Song of Achilles (2011), Pat Barker’s The Silence of the Girls (2018) and Nathalie Haynes’ A Thousand Ships (2019) as rewritings of Homer's Iliad, in order to establish their influence as contemporary rewritings on our (newfound) interpretation of Homer's Iliad.Show less
It is often assumed that all manipulation of truth follows a similar format. However, an examination of the way that ‘post-truth politics,’ the strategies, politicians and communities that...Show moreIt is often assumed that all manipulation of truth follows a similar format. However, an examination of the way that ‘post-truth politics,’ the strategies, politicians and communities that consciously manipulate facts to alter the ‘truth’ of their audience for political gains, and historiographic metafiction, a genre of postmodern literary texts that interpret history while simultaneously critically assessing and questioning the ‘truth’ they construct in their interpretation, shows that both post-truth politics and historiographic metafiction manipulate truth for completely different purposes. Yet, little research has been done on how these manipulations of truth work and how they differ. This thesis studies how truth is manipulated in post-truth politics and historiographic metafiction respectively, how these manipulations differ and overlap and what this means for future research on neutralizing or repurposing the manipulation of truth by post-truth politics.Show less
This thesis analyzes the social and academic value of fanfiction concerned with LGBTQ+ representation in Young Adult Literature. Since the heteronormative discourse looks upon LGBTQ+ as a...Show moreThis thesis analyzes the social and academic value of fanfiction concerned with LGBTQ+ representation in Young Adult Literature. Since the heteronormative discourse looks upon LGBTQ+ as a controversial theme, LGBTQ+ identities and storylines in media such as literature are often stereotyped and negative. Young Adult Literature finds itself in a position where it can provide positive LGBTQ+ representation because of its tendency towards realism. However, existing power structures still prevent this genre from fully reaching its potential. This potential can be realized through fanfiction, an open discourse available on the internet. On fanfiction platforms, people with LGBTQ+ identities write the narratives they need based on official media stories, such as literature and movies. This thesis offers two comparative analyses. First, I will compare the non-LGBTQ+ Young Adult novels The Hunger games: Catching Fire and The Hunger Games: Mockingjay, with a selection of corresponding LGBTQ+ fanfiction. In the second part, I present a comparison between the LGBTQ+ Young Adult novel Aristotle and Dante Discover the Secrets of the Universe and a selection of corresponding LGBTQ+ fanfiction. Both of these analyses research the interpretations by fanfiction writers of the Young Adult novels on which they are grafted, highlighting their specific needs with regard to LGBTQ+ representation.Show less
In this thesis I analyse T. S. Eliot's ""The Waste Land"" in an ecocritical manner. By making use of contemporary theory on the relation between human and environment I shed new light on the...Show moreIn this thesis I analyse T. S. Eliot's ""The Waste Land"" in an ecocritical manner. By making use of contemporary theory on the relation between human and environment I shed new light on the conceptualization and representation of the environment in ""The Waste Land."" I do this by close reading descriptions of the environment in the poem, analyzing the struggle between the material and the spiritual, and analyzing language and agency.Show less
In this thesis I will discuss the notion of unreliability in the narratological environment of Ian McEwan’s novels Enduring Love and Atonement, in relation with the formalism theory and a cognitive...Show moreIn this thesis I will discuss the notion of unreliability in the narratological environment of Ian McEwan’s novels Enduring Love and Atonement, in relation with the formalism theory and a cognitive approach, respectively. The effects of traumatic experiences along with the concept of memory as an unreliable narrator will be considered as focal points in my analysis. In McEwan’s novels what constitute an unreliable narrator are his specific characteristics derived from the personality of the fictional character/narrator and the narratological setting. The research questions examined are how narrative is used as a way of making sense of the world, which narratological techniques in the aforementioned novels result in unreliability, and what the effects of unreliability are for the characters and the reader.Show less
Because contemporary network science is predicated on the assumption that similarity breeds connection, it transforms what seems to be an open web into poorly gated communities that propagate...Show moreBecause contemporary network science is predicated on the assumption that similarity breeds connection, it transforms what seems to be an open web into poorly gated communities that propagate already-existing forms of prejudice and discrimination. If the algorithmic fabric of social media platforms pushes people with the same views and interests towards each other, what does this mean for queer individuals in Beirut inhabiting a city whose very urban fabric segregates and limits their interaction in public space? What possibilities can the digital realm provide queer lives in a cyberspace unhinged by the geography of residence and the materiality of the body? I attempt to answer those research questions by relying on Sara Ahmed’s Queer phenomenology (2006) and on Wendy Hui Kyong Chun’s (2016) concept of “homophily”. Those theoretical lenses will guide my use of auto-ethnography and close visual analysis to explore the outputs and social media strategies of two case studies of visual activism in Lebanon: Beirut By Dyke and Kikafilmadina. My personal experience as a member of civil society groups in Beirut and my positionality as the creator of Beirut By Dyke orient me, to borrow Sara Ahmed’s term, towards these pages as cultural objects. The concept of the social media accounts, which revolves around the narrativization of queer inhabitance in space, propels me toward Sara Ahmed’s theory around sexuality as residence. Conversely, the social impact generated by both social media accounts on collective imaginations and social participation in cyber and physical space leads to me to question how “homophily” (Chun 2016) can be used to challenge the neoliberal assumptions it was built on. My aim is to counter existing literature around gender and digital culture whose understandable focus on the capitalistic and behaviorally predictive valence of social platforms is grim and dystopic (Goldberg 2016). Instead, I suggest that the study of platforms like Instagram offers a resource for queer studies insofar as it “emphasizes the importance of lived experience, the intentionality of consciousness, the significance of newness, or the role of repeated habitual action in shaping bodies and the world” (Ahmed 57). It is specifically the power of repeated habitual actions that I want to focus on in exploring digital possibilities. In a context where systemic oppression is difficult to dismantle and social change impossible to imagine, the creation of new paths is, after all, a labor of repetition.Show less
