This thesis explored the Afropessimism framework for examining the dynamics of race and racial inequality in the United States and Brazilian contexts and its potential for advancing racial justice...Show moreThis thesis explored the Afropessimism framework for examining the dynamics of race and racial inequality in the United States and Brazilian contexts and its potential for advancing racial justice efforts. It examined and answered the following questions: How does the critical perspective of Afropessimism impact the experiences and identities of individuals of African descent in the Americas, specifically in the U.S. and Brazil? How does Afropessimism critique the effectiveness of the human rights framework in securing racial justice for individuals within the African diaspora? To examine the translatability of Afropessimism to a different cultural context other than that of the U.S., I researched whether this theoretical framework could also accurately explain the historical and contemporary experiences of Black individuals in Brazil. These questions aimed to evaluate the extent to which Afropessimism, departing from other racial theories, such as intersectionality, questions the efficacy of the human rights framework in transforming society and its social institutions, as a means of irrevocably achieving racial justice.Show less
This thesis is a study of word and image in a long poem by the American artist John Cage. Discussing the ethics of reading and the implication of the critic in the work of criticism, I argue that...Show moreThis thesis is a study of word and image in a long poem by the American artist John Cage. Discussing the ethics of reading and the implication of the critic in the work of criticism, I argue that Cage's text calls for an "architectonic" theory of reading which accounts for the materiality of written language.Show less
This thesis examines the identities and experiences of second-generation British Muslim women in Nida Manzoor’s We Are Lady Parts (2021). Despite the proliferation of scholarship about the...Show moreThis thesis examines the identities and experiences of second-generation British Muslim women in Nida Manzoor’s We Are Lady Parts (2021). Despite the proliferation of scholarship about the complexity of Islamic practices and experiences of Muslims in the West, (immigrant) Muslim women are still plagued with homogenizing assumptions that relegate them to the realm of the passive or the dangerous. We Are Lady Parts demonstrates these realities while also offering alternative ways of understanding Muslim women by centering universal issues of faith, friendship, love and belonging. Using postcolonial and feminist theoretical frameworks, I aim to understand how unconventional representations of punk Muslim women undermine current patriarchal and colonial discourses both in Muslim and non-Muslim communities. I pay special attention to the women’s gender performativity and the ways in which it enables performative agency in their musical performances. I then address the heterogeneity of the characters’ identities by analyzing how they navigate their desires, romantic relationships, and religion. Finally, I examine the ways in which the women are excluded from embracing a British identity and how they form alternative paths to belonging via sisterhood and a decolonial worldview.Show less
This thesis analyzes the social and academic value of fanfiction concerned with LGBTQ+ representation in Young Adult Literature. Since the heteronormative discourse looks upon LGBTQ+ as a...Show moreThis thesis analyzes the social and academic value of fanfiction concerned with LGBTQ+ representation in Young Adult Literature. Since the heteronormative discourse looks upon LGBTQ+ as a controversial theme, LGBTQ+ identities and storylines in media such as literature are often stereotyped and negative. Young Adult Literature finds itself in a position where it can provide positive LGBTQ+ representation because of its tendency towards realism. However, existing power structures still prevent this genre from fully reaching its potential. This potential can be realized through fanfiction, an open discourse available on the internet. On fanfiction platforms, people with LGBTQ+ identities write the narratives they need based on official media stories, such as literature and movies. This thesis offers two comparative analyses. First, I will compare the non-LGBTQ+ Young Adult novels The Hunger games: Catching Fire and The Hunger Games: Mockingjay, with a selection of corresponding LGBTQ+ fanfiction. In the second part, I present a comparison between the LGBTQ+ Young Adult novel Aristotle and Dante Discover the Secrets of the Universe and a selection of corresponding LGBTQ+ fanfiction. Both of these analyses research the interpretations by fanfiction writers of the Young Adult novels on which they are grafted, highlighting their specific needs with regard to LGBTQ+ representation.Show less
It is often assumed that all manipulation of truth follows a similar format. However, an examination of the way that ‘post-truth politics,’ the strategies, politicians and communities that...Show moreIt is often assumed that all manipulation of truth follows a similar format. However, an examination of the way that ‘post-truth politics,’ the strategies, politicians and communities that consciously manipulate facts to alter the ‘truth’ of their audience for political gains, and historiographic metafiction, a genre of postmodern literary texts that interpret history while simultaneously critically assessing and questioning the ‘truth’ they construct in their interpretation, shows that both post-truth politics and historiographic metafiction manipulate truth for completely different purposes. Yet, little research has been done on how these manipulations of truth work and how they differ. This thesis studies how truth is manipulated in post-truth politics and historiographic metafiction respectively, how these manipulations differ and overlap and what this means for future research on neutralizing or repurposing the manipulation of truth by post-truth politics.Show less
In the last few decades, there has been an emergence of feminist texts that relate themselves to Homer’s renowned myths, The Iliad and The Odyssey. Inspired by these feminist narratives that...Show moreIn the last few decades, there has been an emergence of feminist texts that relate themselves to Homer’s renowned myths, The Iliad and The Odyssey. Inspired by these feminist narratives that revolve around the centring of the female characters within a myth, this thesis poses an analysis of the emergence and importance of mythmaking by women writers. In my research, I have focused on Pat Barker’s The Silence of the Girls Madeline Miller’s Circe, two of the most recent examples of feminist mythmaking. Both Barker and Miller are able to give a voice to women that have often been silenced in ‘classic’ myths: Briseis and Circe. The texts foreground the complexity of their female protagonists by relating their stories to the patriarchal world surrounding them. Building onto this, both texts reflect on mythmaking and storytelling on an overarching level, thereby offering us a subtle critique on the way myths have been written and read in the past. Strikingly, scholars have recently studied these feminist mythmakings as mere ‘rewritings’ or ‘fictionalisations’ of Homer’s ‘classics’. The effect is a limiting analysis in which the true intertextuality of the stories gets lost in a restricting methodology. In this thesis, I propose a new way to analyze these mythmakings in an appropriate and respectful way, by using the concept of ‘mosaic mythmaking’.Show less
A theoretical debate between three thinkers on the future of literature in the age of new media shows there is dissent regarding whether literature’s narrative and new media’s database forms can...Show moreA theoretical debate between three thinkers on the future of literature in the age of new media shows there is dissent regarding whether literature’s narrative and new media’s database forms can productively coexist or that the latter will supplant the former. To make sense of these different views, this thesis will consider the question of how reading skills change on the basis of interrelations between literature and new media. The case-study, David Foster Wallace’s Infinite Jest, seems to have a proto-database form while being essentially narrative. It may, therefore, be considered a hybrid between old and new media as well as a reflection of media-literature evolution itself. The novel builds a signification structure into the text that directs the reading direction nonlinearly, allowing for a plurality of voices and ways of looking at the world. Interpreted nonlinearly, Infinite Jest offers an allegory not for reading but precisely for the impossibility thereof. It self-consciously reflects on postmodernism and, specifically, its central thematic of illegibility: it is a novel self-aware of its own impossibility. Infinite Jest diagnoses the illegibility of texts in the age of postmodernism, where one can no longer rely on clear-cut strategies for reading but must employ a creativity in learning how to read as a production rather than a discovery of meaning. Novels like Infinite Jest, it appears, serve as mental practice for new media reading, which requires the reader to switch between reading strategies, or what I coin the modulation proposal, to deal with the phenomenon of ‘information overload.’ Infinite Jest shows that hybridization of narrative and database, or of literature and new media, is a viable – and, hopefully, long-term – possibility for the literature of the future. Literature is right now in the process of adapting itself by borrowing elements from new, digital media, and, re-inventing itself as a form of art that transcends the medium of the book, i.e., literature becomes transmedial. To stay relevant in the age of digital media, literature needs to reinvent itself time and again.Show less
In this thesis I will discuss the notion of unreliability in the narratological environment of Ian McEwan’s novels Enduring Love and Atonement, in relation with the formalism theory and a cognitive...Show moreIn this thesis I will discuss the notion of unreliability in the narratological environment of Ian McEwan’s novels Enduring Love and Atonement, in relation with the formalism theory and a cognitive approach, respectively. The effects of traumatic experiences along with the concept of memory as an unreliable narrator will be considered as focal points in my analysis. In McEwan’s novels what constitute an unreliable narrator are his specific characteristics derived from the personality of the fictional character/narrator and the narratological setting. The research questions examined are how narrative is used as a way of making sense of the world, which narratological techniques in the aforementioned novels result in unreliability, and what the effects of unreliability are for the characters and the reader.Show less
The alteration of representation in young readers’ editions of Nathaniel Philbrick's "In the Heart of the Sea" and Mary Lee Shetterly's "Hidden Figures".
A throrough analysis of Madeline Miller’s The Song of Achilles (2011), Pat Barker’s The Silence of the Girls (2018) and Nathalie Haynes’ A Thousand Ships (2019) as rewritings of Homer's Iliad, in...Show moreA throrough analysis of Madeline Miller’s The Song of Achilles (2011), Pat Barker’s The Silence of the Girls (2018) and Nathalie Haynes’ A Thousand Ships (2019) as rewritings of Homer's Iliad, in order to establish their influence as contemporary rewritings on our (newfound) interpretation of Homer's Iliad.Show less
Young adults are continually confronted with instability and crises, as well as traumatic events at large. Considering that literature, and Young Adult literature specifically, can be seen as a...Show moreYoung adults are continually confronted with instability and crises, as well as traumatic events at large. Considering that literature, and Young Adult literature specifically, can be seen as a reflection of the lived experience, it is expected that the existence of such trauma influences the novels written. The ability of Young Adult literature to reflect the lived experience, and the necessity for it to do so, is also discussed by columnist and author Michael Cart in 2016, literature researcher Bruce Carrick in 2017 and literature studies researcher Amy Elliot in 2015. However, they do not specifically note on the place of trauma in this reflection. This thesis considers how trauma affects the narrator’s voice. To do so, Canadian author Sebastien de Castell’s fantasy Young Adult novels Way of the Argosi and Spellslinger were taken as a case study. Ferius and Kellen, the respective protagonists of the aforementioned novels, are confronted with traumatic experiences, such as torture and genocide. Due to perceived commonalities in the situations of the protagonists, and their communities, to that of Indigenous communities, knowledge of the latter is used to make sense of the former. Similarly, knowledge of the Holocaust was used to contemplate the fictional narrative. Knowledge on trauma in these real world communities was gained from articles by, among others, psychologists Sarah Panofsky et al. (2021) and social worker Elizabeth Fast and psychologist Delphine Collin-Vézina (2010). Due to the influence trauma can have on the lived experience, there was a need for discussing the reliability of the narrator of each novel. As a result, this thesis looked to the articles on unreliable and fallible narrators by religious studies professor Catherine Caufield, published in 2021, and cultural studies researcher Greta Olson, published in 2003. A close reading of the novels found trauma to affect not only the narratorial style, such as through narrative fragmentation, but also the narrator’s reliability and tone of voice. Though the narrators of Way of the Argosi and Spellslinger were not affected similarly in narratorial style, with the former’s narration being more fragmented as opposed to the linear narration of the latter, the tone of voice is comparable. In both cases, there is a clear influence of fear and resentment on the narrator’s voice. The reliability of the respective novels narrators is also similarly fallible, though due to different reasons. The insight provided by the novels to the readers allow for a fostering of understanding between different real-life cultures, histories and life-journeys.Show less
This thesis questions how discursive practices in different adaptations of the same fairy tale: Little Red Riding Hood, reflect social and ideological values of their time and place, with regard to...Show moreThis thesis questions how discursive practices in different adaptations of the same fairy tale: Little Red Riding Hood, reflect social and ideological values of their time and place, with regard to gender ideologies and gender representation. This analysis is guided by poststructural theories of feminism that consider gender as a socially produced category, predominantly through language. This allows for the reading of “girlhood”, as a contested category involving various and often competing discourses of femininity. Additionally, this research relies on critical discourse analysis, which allows for a close reading of the authors’ linguistic choices that are potentially significant, as they encode and promulgate particular ideologies.Show less
The aim of this study is to analyse recent changes in masculinity and the relationship between masculinity and literature. Two novels of British 'ladlit' author Nick Hornby are discussed. In the...Show moreThe aim of this study is to analyse recent changes in masculinity and the relationship between masculinity and literature. Two novels of British 'ladlit' author Nick Hornby are discussed. In the first part of the thesis, the differences between traditional and modern masculinity are explained. In the second part, a comparison is made between the differing views on masculinity of Hornby's male and female protagonists. It is shown that while the male protagonists move from a traditional outlook on masculinity to a more modern one, the female protagonists go back to the traditional view. The study shows that Hornby's novels both strongly support a return to traditional gender roles and the old standards of masculinity.Show less
This paper facilitates a conversation between a classical Chinese Zen Buddhist story and contemporary French feminist theory. Hélène Cixous' work is used as a mirror to explore the significance of...Show moreThis paper facilitates a conversation between a classical Chinese Zen Buddhist story and contemporary French feminist theory. Hélène Cixous' work is used as a mirror to explore the significance of the exceptional appearance of a nude female body and a celebrated vagina in this Zen text.Show less
This thesis discusses three contemporary feminist dystopias that have been published between 2016 and 2018. It argues that feminist dystopian fiction can contribute to the understanding of the...Show moreThis thesis discusses three contemporary feminist dystopias that have been published between 2016 and 2018. It argues that feminist dystopian fiction can contribute to the understanding of the female struggle in the United States by reflecting on reproductive rights and body politics in a dystopian setting. Through three thematic studies, language, genre and imposed boundaries on the female body, this thesis shows how the feminist dystopian genre places the female body in the midst of political and social disturbances. Amid the current political environment that seeks to restrict reproductive health care and rights for women, these novels challenge its readers' perception of their realities. This helps instigate change and a critical attitude towards current social issues and anxieties that are affecting the safety and health of women nationwide.Show less
