This thesis considers the meaning and significance of portraying minorities in film. After a short discussion of existing Zainichi cinema, literature on film and gender and intersectionality, the...Show moreThis thesis considers the meaning and significance of portraying minorities in film. After a short discussion of existing Zainichi cinema, literature on film and gender and intersectionality, the thesis zooms in on Yakiniku Dragon (2018) and the way the film deals with Zainichi identity through the exploration of a few scenes and the analysis of Yakiniku Dragon’s script. Yakiniku Dragon’s underlying gender portrayals has implications for the way Zainichi experiences are perceived and has implications for Zainichi women in particular. The analysis of Yakiniku Dragon’s imagery and script sheds light on how gendered labor divisions and a different attribution of themes to different genders excludes Zainichi Korean women’s voices and experiences from Zainichi nationalism or empowerment discourses.Show less
The 'kizuna' discourse in Japan is about bonding as people. After the 3.11 disaster this bonding became more important. The women in the disaster areas were faced with the pressure this discourse...Show moreThe 'kizuna' discourse in Japan is about bonding as people. After the 3.11 disaster this bonding became more important. The women in the disaster areas were faced with the pressure this discourse placed on the gender role women have. With all the stress they themselves already went through, it was still their responsibility to care for everyone. There was hardly any particular attention for the needs of women in disaster areas. This thesis discusses first the theory on disaster and how such an event affects women in particular. Next a history of women and the role they take in society is discussed, followed by the situation of women after the disaster and during recovery.Show less
