Offensive realism has identified the Iranian interventionism in Syria as a major coercive regional strategy. The military and the political aspects of this intervention have been widely discussed....Show moreOffensive realism has identified the Iranian interventionism in Syria as a major coercive regional strategy. The military and the political aspects of this intervention have been widely discussed. However, the academic literature on the local dynamics of such policy in a post-colonial perspective is underdeveloped. Especially when we attempt to identify the sectarian consequences of the Iranian economic policies in Syria and the ramifications of settling and naturalizing increasing numbers of Shiites in Damascus, Homs, and the Lebanese borderline with Syria – ‘Useful Syria’ as defined by President Assad. These areas have suffered a drastic forced displacement of the original Sunni locals, only to be substituted with loyal new citizens of a Shiite background. This thesis discusses this topic, providing also an overview of the Iranian economic interventionism in Syria since 1979.Show less
The question of the Palestinian and Israeli conflict and the political situation at hand strongly indicates that the existing popular culture is influenced by power and politics. Film as a form of...Show moreThe question of the Palestinian and Israeli conflict and the political situation at hand strongly indicates that the existing popular culture is influenced by power and politics. Film as a form of popular culture is also influenced by the wider discourse of world politics and beholds the features of broadcasting certain messages to the audience. Therefore, film is worth studying as a potential medium to convey the struggle of the Palestinian people. This research provides a better understanding of the importance of culture as a political medium in the Palestinian struggle, especially in the global context, given regard to the correlation between politics and culture. More specifically, the research aimed to analyze how contemporary art house films about the Palestinian struggle relate to the new form of the intifada also referred to as the global intifada. The research focused on three art house films from 2013 onwards: Mars At Sunrise, Condom Lead and In Vitro. The analysis was based on how these films relate to the characteristics of the global intifada, such as the cultural, intersectional, decolonial-global and inter/national features through interconnected-joint initiatives. To gain a better understanding of the social relationship between these film productions and the global intifada, the theory of Pierre Bourdieu of the cultural field was applied. The findings suggest that these films, as a cultural medium, visualize the global intifada mainly through cultural practice. Non-traditional film techniques and genres, such as visual effects and fantasy/science fiction, are hereby key factors. Moreover, the statements of the film producers indicate an inter/national, and most importantly global, approach to highlighting the Palestinian struggle in their artworks. Finally, the works relate to the transformational and decolonial character of this intifada, as they challenge the wider public to change their narrative of the Palestinian individual and the Palestinian struggle.Show less
In recent years, the whole world has been embroiled in the intermingled crises of the COVID-19 pandemic, global recession, and Ukrainian-Russian conflicts. As a result, the petroleum regime that...Show moreIn recent years, the whole world has been embroiled in the intermingled crises of the COVID-19 pandemic, global recession, and Ukrainian-Russian conflicts. As a result, the petroleum regime that nourished our global economies for the last seven decades was massively destabilized and further imperiled by the impending climate change. Against this backdrop, the renewable energy transition is enshrined as a robust alternative to reverse the bleak status quo and reinvigorate our waning economies. However, it may not fulfill the promising future as expected. In this research, I adopted a comprehensive geographical and political-economic framework to conduct a multiscalar critique of the renewable transition in Morocco and a larger trans-Mediterranean landscape. The research aims to argue that the renewable energy transition requires the same fraud, dispossession, and control as under the petroleum regime to be materialized. In this process, the technological advantage, financial investment, environmentalist discourse, colonial conception, and legal framework of Europe constitute a type of 'hegemony'. This hegemony is maneuvered to reshape the ecologically unequal exchange between Morocco and Europe under an emerging renewable regime and further their asymmetrical relations since the old. More unfortunately, the renewable transition tends to prolong overproduction, overconsumption, and overaccumulation cliché that will doom humans rather than build more sustainable social and human-ecological relations in the future. It drives us to reflect on which socioeconomic scenario we should implement the transition.Show less
