This thesis focuses on the explicitation of Latin-Greek terms in medical brochures that are intended for laypeople. It analyzes the presence of LG terms and the explicitation strategies in English...Show moreThis thesis focuses on the explicitation of Latin-Greek terms in medical brochures that are intended for laypeople. It analyzes the presence of LG terms and the explicitation strategies in English medical brochures that were translated from Dutch in comparison to non-translated medical brochures originally written in English. This study uses a comparable corpus methodology and its aim is to determine whether the translated brochures contain more LG term explicitation compared to the non-translated brochures. This is because research in Translation Studies has shown that the level of health literacy differs among laypeople, meaning that the medical brochures should be written in an understandable manner for everyone (Montalt, Zethsen, & Karwacka, 2018). Making a text comprehensible for laypeople can be done by using explicitation, which is adapting a unit of the text more extensively, for instance by omitting or adding terms. In this thesis, the LG terms found are classified into the following six categories that determine the explicitation strategy: definition/explanation, reformulation, exemplification/illustration, analogy, synonym, and hyperonym. This thesis compares the explicitation of LG terms in translated Dutch-English to non-translated English brochures, because it has been shown that English has had a better influx of Latin-based terminology compared to Northern European languages, that is Scandinavian or Germanic languages (Askehave and Zethsen, 2002; Zethsen, 2004). The results of this thesis show that the non-translated medical brochures in English actually contain a higher frequency of LG term explicitation compared to the medical brochures translated from Dutch. Possible reasons for these results could be that LG terms in everyday English are not as well-known and present as expected and there might exist a discrepancy between what can and cannot be considered lay terms when writing and translating medical brochures.Show less
This thesis provides a terminology for mutual legal assistance using a selection of terms from the WOTS (Wet Overdracht Tenuitvoerlegging Strafvonnissen). Each Dutch term is accompanied by an...Show moreThis thesis provides a terminology for mutual legal assistance using a selection of terms from the WOTS (Wet Overdracht Tenuitvoerlegging Strafvonnissen). Each Dutch term is accompanied by an English term, definitions of both the Dutch and the English term, a reliability number and often by additional information. The terms are extracted from treaties, national law and the work of legal scholars. The terminology differentiates between US and UK terms when necessary. The approach of the terminology is founded on the theoretical framework, which discusses legal terminology by means of legal translation, terminology and equivalence.Show less
Song translation is a relatively under-researched field in Translation Studies (Susam-Sarajeva, 2008, p. 187). Most studies that do exist revolve around singability (Low, 2003; Stopar 2016),...Show moreSong translation is a relatively under-researched field in Translation Studies (Susam-Sarajeva, 2008, p. 187). Most studies that do exist revolve around singability (Low, 2003; Stopar 2016), singability and rhyme (Low, 2008), or fidelity to the source text (Franzon 2005). The combination of song translation theory and metaphor theory, however, is a virtually unresearched combination of fields. Low (2017) states: “[s]ong lyrics are often rich in metaphor” and he recommends that song translators, more than 'regular' translators, should “attempt to maintain the richness of metaphor” (p. 34). This thesis analyses three songs from musicals that have been translated from English to Dutch. These musicals are of different genres and for different audiences, to include the influence that these factors might have had on the choices of the translators. The musicals used in this study are drama musical Les Misérables (E: 1985; D: 1991), animated film musical Anastasia (1997) and romantic comedy musical Hairspray (E: 1988; D: 2003). Using the MIPVU (Metaphor Identification Procedure VU University Amsterdam [Steen et al., 2010]), this thesis analyses the metaphors in the three songs, in both the English source text and the Dutch target text. Subsequently, it attempts to establish how the translators dealt with the metaphors, and, ultimately, to see whether the fact that the target texts are singable translations of a song had any influence on the choices of the translator. This is endeavoured by answering two questions. Firstly, can the translations of the metaphors in songs be analysed by means of Newmark's (1981) and Schäffner's (2004) categorizations of procedures used in metaphor translation? Secondly, can singularities be explained through Low's pentathlon principle (2005) for song translation?Show less
Translating cultural references (CRs) in literature is notoriously difficult and depends on context, significance of the CR in the text, and familiarity of the TT reader with the source language...Show moreTranslating cultural references (CRs) in literature is notoriously difficult and depends on context, significance of the CR in the text, and familiarity of the TT reader with the source language and culture. TT readers’ needs can be expected to be different depending on their knowledge of the source language and culture. This means that for one language pair, strategies for the translation of CRs still differ, depending on directionality of the translation. This study provides a quantitative analysis of the first 100 CRs from 5 novels translated from English to Dutch, and 5 novels translated from Dutch to English. The translation pairs were categorized by translation strategy (using Olk, 2001) as well as by type of CR (using Grit, 1997), analysing the degree of domestication or foreignization of the overall translation strategies as well as the strategies per CR type. The analysis shows that, overall, the strategies used for translating from English to Dutch are more foreignizing. The results from this study may be used to aid translator’s choices by providing insight into the effect of their individual choices, as well as future reader reception studies.Show less
Since the anime boom of the 1990s and 2000s, the popularity of anime (Japanese animation) in the Western world has increased tremendously. Even though Western localization companies used to view...Show moreSince the anime boom of the 1990s and 2000s, the popularity of anime (Japanese animation) in the Western world has increased tremendously. Even though Western localization companies used to view anime as ‘just another form of Saturday morning children’s cartoons’ at first, as popularity increased, they came to the realization that it is a wholly different genre and business entirely. And as fans started demanding localizations that stayed as true as possible to the original versions, localization companies started paying closer attention to the way they translated these shows. But just how much does the audience influence the localization of anime? This research attempts to shed some light on that matter by comparing three anime series aimed at different audiences and looking at the different approaches localization companies have when tackling these shows.Show less
The present Master’s thesis seeks to develop a better understanding of the translation of idiolect in narrative dialogue. Idiolect found in three characters (two villains and one hero) from Roald...Show moreThe present Master’s thesis seeks to develop a better understanding of the translation of idiolect in narrative dialogue. Idiolect found in three characters (two villains and one hero) from Roald Dahl’s children’s novels Matilda and The Witches is analyzed by means of Juliane House’s model for translation quality assessment. Central to this discussion is the way in which the idiolects function regarding character portrayal, and how the Dutch translations affect this, if at all. The analyses demonstrate that idiolect is retained in all translations, although slight shifts have occurred in the translation process. These alterations mainly affect the humorous effect of the villains. The hero is less notably affected, because her idiolect is less explicitly present. Concluding, retaining idiolect in translation texts is salient for character portrayal.Show less
This thesis compares the standard use of intralingual subtitling in the Netherlands with the dominant form of intralingual subtitling, or impact captioning, in Asian countries such as Japan, Korea,...Show moreThis thesis compares the standard use of intralingual subtitling in the Netherlands with the dominant form of intralingual subtitling, or impact captioning, in Asian countries such as Japan, Korea, and China: so called open caption telop (OCT). These open captions differ greatly from the subtitles we are used to seeing in the Netherlands, and are more so used to emphasize and create impact, rather than the subtitles in the Netherlands for the deaf and hard-of-hearing, strong accents or dialects, or as a learning tool for foreign language speakers. Research into the effects of OCT on a non-Asian, western audience has rarely been done, which makes it all the more important to gather some insight into this phenomenon. This thesis attempts to do so by conducting a small research into the thoughts of Dutch viewers on Asian-style open caption telop. Three short clips of popular Dutch entertainment programs had OCT added edited into them and were shown to a group of 40 respondents, both male and female and of various ages. They were then asked to fill in a short questionnaire, and some were asked to elaborate on their answers. The results of this research were used to determine whether the Dutch viewer public appreciates the forms and functions of OCT and whether this type of subtitling could, in theory, be implemented in Dutch television programs.Show less
The main aim of this thesis was to establish whether strong reactions such as ‘Oskar would never say that!’ and ‘That’s just plain wrong!’ to the official Dutch translation of the novel Extremely...Show moreThe main aim of this thesis was to establish whether strong reactions such as ‘Oskar would never say that!’ and ‘That’s just plain wrong!’ to the official Dutch translation of the novel Extremely Loud & Incredibly Close (Foer, 2005) could be caused by a loss of style in the translation. In order to measure the retention of style in the translation, a translation quality assessment tool that focusses solely on style was needed. However, such a tool did not exist. Instead it was opted to adapt a translation method that prioritises style. Such a method was found in Bovelander’s 2015 style-centred translation approach. The Bovelander method includes a thorough stylistic analysis followed by the selection of translation procedures that should be used to retain style (a greenlist) as well as a listing of procedures that should be avoided because they would cause a loss of style (a blacklist). These procedures are pivotal in the adapted Bovelander method: a comparative reading of the source text and target text that reveals which procedures were used during the translation process. If blacklisted procedures occur considerably more often than greenlisted procedures, then there is a loss of style. The adapted Bovelander method suggested a severe loss of style in the Dutch translation of Extremely Loud & Incredibly Close (Foer, 2005), which might indeed explain the strong reactions to the translation voiced by a number of translation students.Show less
Jan Wolkers’ Turks Fruit (1969) was and remains a sensational novel, famous for its explicit sex scenes and use of crude language. March 2017 saw the publication of the first American English...Show moreJan Wolkers’ Turks Fruit (1969) was and remains a sensational novel, famous for its explicit sex scenes and use of crude language. March 2017 saw the publication of the first American English translation of the novel, titled Turkish Delight. So far, no scholar has analysed this new translation by Sam Garrett and even though many articles have been written about swearing in translation, e.g. Crisafulli (1997) and Santaemilia (2008 and 2013), little to no research has been done into the Dutch and English language pair. The main question that I have addressed in this thesis is this: “What was Sam Garrett’s translation strategy while translating Turks Fruit (1969) with regard to taboo language and swearing?” In answer to this question, taboo language in the ST and the TT has been analysed in this research using Pinker’s (2008) pragmatic categories of swear words and the translation procedures used in the TT, Turkish Delight, have been analysed using Vinay & Darbelnet’s (1958) theory on translation strategies. Greenall’s (2008) theory has been used to determine a difference in swearing constraint between the Dutch and American cultures. The analysis ascertains three main points. Firstly, Garrett stays fairly faithful to the ST; he has mostly used a direct translation strategy (66%) and never changes the type of swearing used in the ST. Secondly, the most striking exception to this direct translation strategy is that he has added taboo language and swear words to the TT that were not present in the ST. Thirdly, this irregularity can be explained by a difference in strength of the swearing constraint between the ST readership and the TT readership. Sam Garrett’s translation strategy with regard to taboo language and swearing in Turks Fruit (1969) seems to have been to create a translation with an equivalent attention-getting effect.Show less
This thesis explores three articles on humour in translation, which define and attempt to resolve the problems surrounding the field of humour translation studies, and applies these to a piece of...Show moreThis thesis explores three articles on humour in translation, which define and attempt to resolve the problems surrounding the field of humour translation studies, and applies these to a piece of literary writing to find out to what extent culture is relevant when translating humour. The three articles on humour translation differ in purpose to some extent; Vandaele (year) justifies the existence of the field of humour translation as being a separate entity of either humour or translation studies, whereas Attardo (year) and Zabalbeascoa (year) each give their separate solutions on how to deal with humour in translation. The knowledge offer by these three articles is then combined with the general translation strategy from Venuti (year) and applied to an excerpt from Adams’ ‘Life, the Universe and Everything Else’ (year), chosen for its humour and the degree to which it is interwoven into British culture, resulting in two opposing translations which allow for an analysis on the relevance of culture when translating humour.Show less
The research relates to the use of conditionals in the warning paragraph of medicinal contraindications in a patient information leaflet (PIL) or Package Leaflet (PL), and whether aspects of the...Show moreThe research relates to the use of conditionals in the warning paragraph of medicinal contraindications in a patient information leaflet (PIL) or Package Leaflet (PL), and whether aspects of the language used can be identified as a source of anxiety for patients with prescription medicines.Show less
Literary translation is a separate field within translation studies demanding its own approaches. This argument is supported in Part I by an assessment of the "Hermeneutical approach" to...Show moreLiterary translation is a separate field within translation studies demanding its own approaches. This argument is supported in Part I by an assessment of the "Hermeneutical approach" to Translation Studies, as represented in the thought of Jakobson, Benjamin, Derrida, Ricoeur, Jiri Levy, and George Steiner, which offers a strong foundation. Their thinking falls together in considering translation and interpretation to be full equivalents, entailing never-ending processes; in appreciating the holistic quality of the literary work of art and translation's relationship to it, as well as translation's role in the Nachleben of the work of literature; and in demanding creative language use and linguistic hospitality as part of the translator's labor. Part II of the thesis places the tasks of the literary translator as editor/redactor, particularly in consideration of the use of paratexts, on this foundation as one way of limiting hermeneutical activity. The translator redactor must act as a book compiler, a scholar-annotator, and an analyst commentator, or at least consider these roles. In this way, the thesis unites theory and practice while promoting the positive utility of hermeneutics for translation and yet setting limits for the translator's interventions, particularly in helping the reader's own process of interpretation by providing paratextual guides and aids.Show less
This thesis studied the translation of the Scots dialect according to a model provided by Pinto (2009) for two types of translations: Annemarie Lodewijk’s Dutch translation of Diana Gabaldon’s...Show moreThis thesis studied the translation of the Scots dialect according to a model provided by Pinto (2009) for two types of translations: Annemarie Lodewijk’s Dutch translation of Diana Gabaldon’s novel Outlander (ST1), De Reiziger (TT1), and the Dutch subtitles (TT2) of the Outlander DVD (Starz, 2014-) (ST2), which is the first season of ST1’s adaptation on television. In addition, it was studied how the differences in the procedures adopted by the translators have affected characterisation and character relationships. A final aspect of this thesis’ research is the inclusion of one of the translators’ views and approach to dialect translation. Based on the results of this study, it was found that the main procedure adopted in both translations is the use of only a standard variety of language, followed by omission, and finally the direct import of dialect vocabulary. As a result of the first two procedures, there is a major loss of meaning and characterisation in the translation. However, this loss is compensated in TT1 mostly through the inclusion of dialect vocabulary and in TT2 through other visual and audible means that result from ST2 and TT2 being perceived simultaneously. Finally, it is the translator of TT1’s view that there is no way of including ST dialect in the translation without making the translation incomprehensible. However, second languages in translations can be retained, and depending on the knowledge of the TT audience, the translator is allowed to retain some lexical instances of dialect in the translation.Show less
Politeness is an intrinsical part of human communication and has inspired a multitude of research, among which Brown and Levinson’s politeness theory. There have been multiple critiques with...Show morePoliteness is an intrinsical part of human communication and has inspired a multitude of research, among which Brown and Levinson’s politeness theory. There have been multiple critiques with regards to the universality of their theory in relation to non-Western cultures, inducing the question if politeness strategies are employed differently and thus translated differently across languages. This study examines how politeness strategies are translated from Korean to English and Dutch fansubs by employing Brown and Levinson’s politeness theory and Vinay and Darbelnet’s translation procedures.Show less
Automotive Customer Facing Literature is increasingly responsible for enticing customers to a car brand or car model. Low translation quality in this documentation can have a detrimental effect on...Show moreAutomotive Customer Facing Literature is increasingly responsible for enticing customers to a car brand or car model. Low translation quality in this documentation can have a detrimental effect on the quality perception of the brands by potential customers. This thesis examines the Automotive Customer Facing Literature, such as brochures, specification and price guides, and website texts, for the premium car brands Jaguar and Land Rover (JLR) and can be positioned within the fields of Terminology, Translation and Translation Quality Assessment. Since the involvement of the new communication agency Spark44, two years ago, the translation quality of ACFL texts has decreased due to mistranslations, incorrect language use and polluted translation memories and term bases. This is a serious problem that an increasing number of markets complain about. Therefore, this study has examined the translation process for JLR Nederland and provides a Translation Quality Assessment (TQA) utilizing the Multidoc adaptation of the SAE J2450 model, which was specially designed for assessing automotive translations. Based on the results from both the mathematical and observational TQA, the main problems have been identified and solution/advices for these problems have been presented. The aim of this thesis is to present solutions and advice to the involved companies to help them improve the translation quality of their target texts in the Netherlands and other European markets, and eventually all markets worldwide. This has been done in cooperation with the Dutch Product Manager and the in-house transcreator of Jaguar Land Rover Nederland (JLR NL), who, thanks to extensive translation reviews, is responsible for the high quality of the translated texts for the Dutch market, and the Product Manager of JLR NL. Therefore, this thesis will be presented to the Dutch Product manager of JLR NL, the in-house transcreator of JLR NL, Spark44, and the translation agency responsible for all the translations of Automotive Customer Facing Literature (above the line) for both brands.Show less
The purpose of this thesis is to discern whether Dutch gamers and non-gamers want to play games in Dutch and if so, what they think of existing translations. In order to investigate the research...Show moreThe purpose of this thesis is to discern whether Dutch gamers and non-gamers want to play games in Dutch and if so, what they think of existing translations. In order to investigate the research question, an online survey was created and distributed amongst a Dutch sample audience consisting of five different types of gamers, including non-gamers; questions involved the subject’s opinions on several areas of videogame translation and localisation, with a focus on subtitling and dubbing. My hypothesis was that the target group would be willing to play more games if a higher number of them were translated into Dutch in the first place, or if current videogame translations were improved upon in some way. Only the first part of the hypothesis turned out to be false.Show less
