Research master thesis | Classics and Ancient Civilizations (research) (MA)
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This thesis explores the way women in selected Euripidean tragedies engage with verbal communication and proposes that this female verbal repertoire can serve as a foundation for a feminist...Show moreThis thesis explores the way women in selected Euripidean tragedies engage with verbal communication and proposes that this female verbal repertoire can serve as a foundation for a feminist interpretation of the respective plays. Female interaction with verbal communication can be separated into three distinct categories: a) silence, b) song, and c) speech. Following this categorization, this thesis firstly delves into specific verses from Medea (259-268) and Hippolytus (710-723, 800-805) to indicate that female tragic silence entails a skillful manipulation of speech. Secondly, verses from Medea (410-430) and two fragments from Hypsipyle (752h 3-9, 759a 80-89) are examined to demonstrate how female tragic song can function as a lyrical form of feminine language. Thirdly, Pasiphae’s apologia (472e 4-12, 34-41) in the Cretans is analyzed to pinpoint how female tragic speech can be rhetorically constructed, serving as a springboard for self-exculpation and female empowerment. Drawing from French feminism and American post-structuralist feminism, this study orchestrates a dialogue between the Euripidean corpus and (post) modern feminist theory and indicates how a reader-oriented approach to the ancient texts can both honor a historically grounded reception of tragedy and suggest how modern audiences can imbue classical tragic texts with fresh meaning.Show less
Today, the world faces one crisis after another affecting individuals on a global scale. To respond to these crises, Anglo-American ethical and political philosophy requires alternative conceptions...Show moreToday, the world faces one crisis after another affecting individuals on a global scale. To respond to these crises, Anglo-American ethical and political philosophy requires alternative conceptions of care. Moving beyond (neo)liberal care ethics, this thesis argues for a non-gendered Confucian care ethics, illustrating what it means to care democratically. The aim is to alter democratic deficits by embracing interrelated Confucian selfhood. This enables intergenerational care to adapt to contemporary social challenges to humanity, democracy, equality, and freedom. I expand the notion of Confucian interrelated selfhood – transforming dichotomous moral boundaries of identity, community, and society – to include non-gendered, non-dyadic relationships. To be relevant for future generations, Confucian care ethical democracy must offer a theory of justice that understands how to care for each other in society. Whilst facing numerous care crises, it is imperative to encourage people to explore what it means to care intergenerationally for the present and future world. A communal effort to flourish on this planet starts by understanding the complexity of raising oneself, each other, and a whole society.Show less
In sociolinguistic studies, researchers state that there is such a thing as gendered language. These studies looked at gendered language in discourse and came up with a list of stereotypical...Show moreIn sociolinguistic studies, researchers state that there is such a thing as gendered language. These studies looked at gendered language in discourse and came up with a list of stereotypical linguistic characteristics used by women and men. In other words, certain linguistic features such as emotional adjectives and tag-question are more feminine, whereas judgemental adjectives and directives are said to be more masculine. However, the findings are divided and do not always give a common consensus on the reason behind the phenomenon. The differences could stem from social norms, personal preferences, inherited schemata, or the social setting in which the discourse occurs. For example, specific situational settings could be more likely to induce gendered language than other settings. James Bond movies present settings that are potentially more likely to induce gendered language due to the sexually charged nature of the relationship between James Bond and his women. In these situational settings, men are more likely to behave like stereotypical men, and women are more likely to behave like stereotypical women. Therefore, this thesis will look at the specific sociolinguistic context of the potentially sexually charged relationship between James Bond and various female characters and investigate if the characters use stereotypical feminine versus masculine linguistic features and, therefore, contribute to the sociolinguistic corpus of gendered language and its origin. In addition, it looks at the change over time, taking into account the changing Western society in regard to social norms and gender roles. To summarize, this thesis will look at whether the language in discourse found in the movies reflect findings in previous studies, whether the use of linguistic features changes over time, and if the changes can explain the nature of gendered language. This thesis is divided into five chapters the introduction, methodology, results, discussion, and last but not least, the conclusion. In chapter one, the introduction will give a brief overview of the significant sociolinguistic theories present, their relation to gendered language, what research has been done regarding James Bond movies, and how this research contributes to current discussions of feminism. Chapter one also includes a literature review, which goes into depth about the aforementioned sociolinguistic studies. Last but not least, it will give an overview of the research question. Chapter two will discuss the methodology, how social and linguistic factors were chosen, and which difficulties were encountered. Chapter three displays the results found with the help of graphs and figures. Chapters four and five will discuss the findings, their relevance to the ongoing discussion of sociolinguistics and gendered language, and the study’s main takeaway.Show less
This paper aims to study the literature surrounding Cypriot Chalcolithic cruciform anthropomorphic figurines and their gendered identity. Within academia, we see issues arising from gendering of...Show moreThis paper aims to study the literature surrounding Cypriot Chalcolithic cruciform anthropomorphic figurines and their gendered identity. Within academia, we see issues arising from gendering of ancient bodies with modern views – creating cross-wired hypotheses on gender manifestation in prehistoric art. Concentrating on the Chalcolithic cruciform figurines, words patterns and trends will be analysed to gain a better understanding of how gendering ancient identities with modern biases is chronicled within a range of selected literature from the 1930s to the current day.Show less
Anorexia Nervosa is a debilitating illness characterized by the limitation of food intake and a fear of weight gain. While we might at face value take the illness to be irrational, within this...Show moreAnorexia Nervosa is a debilitating illness characterized by the limitation of food intake and a fear of weight gain. While we might at face value take the illness to be irrational, within this project we find that the dangerous condition is fueled by a foundation of justifications based on shared cultural ideas and the values derived from them. I will argue that anorexia occurs when an individual manages to embody attitudes of mind, body, and desire found in the Western philosophical tradition. For the anorexic, rather than being a project of vanity, losing weight can be understood as a spiritual project of transcending the human body and dissolving craving, thus, a quest for liberation. The illness functions in a way in which the anorexic individual sees the world through a filter that seeks out motivation to continue starving, as the self-denial is so extreme that it goes against the individual’s basic human instinct of survival and thus requires constant fuel to persist. What I call the anorexic worldview is a system of values and beliefs that promises the individual who adopts it liberation through transcending one’s ordinary humanity and becoming invulnerable, but at the end of the day, this worldview serves merely the contrary purpose of powering the mental and physical deterioration of the individual. Interestingly, themes inherent to anorexia such as a negative view of the body and the strict denial of craving are also prevalent in early Buddhist philosophy.Show less
James Marion Sims (1813-1883) is known as the ‘godfather of gynaecology.’ This American doctor had a career spanning Alabama, New York City and even undertook a European tour. He founded the United...Show moreJames Marion Sims (1813-1883) is known as the ‘godfather of gynaecology.’ This American doctor had a career spanning Alabama, New York City and even undertook a European tour. He founded the United States’ first Woman’s Hospital, but one of his first major contributions to medicine was finding a cure for vesico-vaginal fistula: the tearing of the vaginal wall due to trauma. This launched his career in medicine. However, he found this cure by performing medical experiments on enslaved Black women in his private clinic. In the Woman’s Hospital his patients were predominantly Irish immigrant women from the working classes of the city. This research explores what made it possible for a White man such as Sims to perform these unethical experiments on these women, who were racialised as Black. Through Foucault’s concept of the medical gaze and Kimberlé Crenshaw’s intersectional feminist critique, this thesis explores the professionalisation of medicine in the nineteenth century, scientific racism, the genesis of gynaecology, racial formation, medical experimentation and how Sims fits into these structures. The focus is the identity formation of Sims himself and his patients, who were intersectionally marginalised. Considering their race, class, ability and gender, one can reconstruct how they fit into the fabric of American society, and why exactly Sims and his colleagues were allowed to experiment on enslaved, working class, ill women when they never considered treating more privileged women (or men) in such a manner.Show less
The author Agatha Christie wrote more than sixty detective novels between 1916 and 1973. Christie wrote her detective stories during a time in which English society also experienced the first and...Show moreThe author Agatha Christie wrote more than sixty detective novels between 1916 and 1973. Christie wrote her detective stories during a time in which English society also experienced the first and second wave of feminism. This thesis will investigate to what extent the first and second wave of feminism influenced Christie’s depiction of her well-known female detective Miss Marple and her views on women’s roles and identities in British society. This analysis will focus on the following three Miss Marple novels: The Murder at the Vicarage (1930), A Murder is Announced (1950), and Nemesis (1971). Eventually, this thesis will show that the feminist thought and activism key to the first and second wave of feminism have had a significant influence on Christie’s depiction of Miss Marple. Throughout these years, Christie has gradually increased Miss Marple’s agency, prominence and engagement with feminist thought expressed in her time. Even so, the exploration of feminist thought concerning same-sex relationships presents to be a boundary for Christie.Show less
Representative of the new and daring generation, Matsui Fuyuko experiments with traditional Japanese art and infuses it with grotesque motifs that respond to contemporary interests and anxieties....Show moreRepresentative of the new and daring generation, Matsui Fuyuko experiments with traditional Japanese art and infuses it with grotesque motifs that respond to contemporary interests and anxieties. She discusses the delicate topics of female suffering and self-expression, which broaches unavoidably the salience of religious influence on the historical formation of gender roles in the Japanese society. In this thesis, I will analyze this subject through the dichotomy of purity versus impurity, as it is instrumental in organizing space in the lives of ordinary Japanese. In varied contexts, purity is used to contrast the sacred and the abominable, the clean and the polluted, or the male and the female body. By placing the paintings of Matsui Fuyuko in the syncretic religious context unique to Japan, it is possible to establish a connection between Buddhist meditation practices and Shinto rituals. In this sense, the aesthetic collation of the pure feminine and the shock-inducing realism of the rotting female corpse in Matsui's paintings can be seen as a form of social protest against pernicious gender biases. She challenges the traditional expectations towards women to display humility, self-restraint and to embrace their role as mothers and caretakers by instead painting them in defiant and provocative poses. The main question to be tackled in this research is how the painter modifies the concept of purity to communicate her feelings and ideas to the viewer through artistic means. I will disclose why the art of Matsui Fuyuko can be seen as an emotional purification of the artist, a meditative tool for the audience, as well as how it defies traditional views on the female body.Show less
Master thesis | European Politics and Society: Vaclav Havel Joint Master Programme
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Female political representation differs significantly between countries. Patriarchal structures and gender biases that hinder women's representation are pervasive and can be identified in seemingly...Show moreFemale political representation differs significantly between countries. Patriarchal structures and gender biases that hinder women's representation are pervasive and can be identified in seemingly progressive governments, challenging claims of increased gender equality in the global North. This thesis explores the differences in female political representation in parliament between two popularly deemed progressive European countries: the Netherlands and Finland. It does so by adopting a novel approach and engaging with the top-down personal perspective of politicians within parliament. Using semi-structured elite interviews, this thesis focuses on the causes for the gap in female political representation between these countries while also discussing what the interviewees envision as possible improvements. The parliamentarians provided unique insights into how gender stereotypes, gatekeeping, and unpaid care work determine the level of women's political representation. The results indicate that female parliamentarians, next to having more role models, centred childcare and parental leave at the core of the policies to address the disparity in female representation between the Netherlands and Finland and increase female political representation overall. This thesis thus contributes to gender and political studies.Show less
This thesis examines how Greta Gerwig’s film adaptation Little Women (2019) retains Louisa May Alcott’s 1868 eponymous novel’s progressive ideas about gender roles, marriage and women’s ambitions...Show moreThis thesis examines how Greta Gerwig’s film adaptation Little Women (2019) retains Louisa May Alcott’s 1868 eponymous novel’s progressive ideas about gender roles, marriage and women’s ambitions for its present-day audience. The theoretical foundation of this research is based on the adaptation studies written by Julie Sanders and Linda Hutcheon.Show less
An analysis of how female character's are portrayed in the late '90s and early '00s adaptations 10 Things I Hate About You, She's the Man, and Never Been Kissed of the Shakespeare plays: Taming of...Show moreAn analysis of how female character's are portrayed in the late '90s and early '00s adaptations 10 Things I Hate About You, She's the Man, and Never Been Kissed of the Shakespeare plays: Taming of the Shrew, Twelfth Night, and As You Like It.Show less
This thesis aims to explore whether the song WAP (2020) by Cardi B and Megan Thee Stallion, exemplifies a paradigm shift in feminism. WAP caused much outcry and grew rapidly in fame because of its...Show moreThis thesis aims to explore whether the song WAP (2020) by Cardi B and Megan Thee Stallion, exemplifies a paradigm shift in feminism. WAP caused much outcry and grew rapidly in fame because of its sexually provocative imagery and lyrics, unlike other similar songs. The question arises: If Cardi and Megan’s song is so unique that it might be the start of a feminist paradigm shift, or whether it follows an already established trend? First, the song is looked at scene by scene, scouting for reoccurring elements. Then, general representational tactics of women in media are analyzed, which help evaluate the elements in WAP further, determining feminist or non-feminist tactics. Lastly, the music of other female artists like Madonna, Lil Kim and Christina Aguilera are studied in order to determine whether WAP is following a trend or stands on its own. After exploring these different aspects, it is possible to see that WAP is a starting point for a feminist paradigm shift in media, of which there are likely more artists or songs to follow.Show less
