Research master thesis | Literary Studies (research) (MA)
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this thesis argues that alternative approaches outside of the dominant deconstructive model of trauma theory are in order to more comprehensively represent the (embodied) experience of trauma...Show morethis thesis argues that alternative approaches outside of the dominant deconstructive model of trauma theory are in order to more comprehensively represent the (embodied) experience of trauma amongst women in Western society. In chapter 1 I will start out by tracing the concept of trauma back to its origins. I will pay particular attention to the narratives emanating from the medical discourse surrounding hysteria and trauma, highlighting the paradoxical and problematic conceptualization of the female subject in psychoanalysis. Furthermore, I will show, taking Alias Grace as a case study, how psychoanalysis and the dominant model of trauma theory can be a fruitful epistemological tool when applied to trauma narratives, but also what its limitations are in the face of the female trauma. Chapter 2, then, will further examine the underlying cause of these limitations and the origin of the harmful narratives perpetuated within the trauma theory discourse by exploring the relationship between the phallogocentric nature of Western society and women’s place within it. It will demonstrate why the female experience of trauma warrants additional reflection and that, in some ways, it lies beyond the reaches of the dominant model. And finally, Chapter 3 will propose three alternative approaches that aim at providing a more inclusive account of the female trauma. All three approaches will be characterized by an emphasis on the embodied experience of trauma and treat the female body as a potential site of expression.Show less
When Freud first began to publish his theories on the unconscious around the turn of the 20th century, this represented a revolution within the field of psychology. However, Freud was much indebted...Show moreWhen Freud first began to publish his theories on the unconscious around the turn of the 20th century, this represented a revolution within the field of psychology. However, Freud was much indebted to literature, in which the existence of the unconscious had been postulated for some time. This thesis follows the developing perception of the unconscious in 19th century literature as it corresponds to the development of the concept of the unconscious within psychology, from a source of fear and mystery associated with pathology, to an accepted element of the human psyche recognised within everyone. In addition, it examines how particular concepts within Freudian psychoanalysis can be identified in some of the literature preceding him. Thus, it shows how Freud's theories were anticipated by 19th century literature.Show less
Bachelor thesis | Film- en literatuurwetenschap (BA)
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In deze scriptie wordt de game Silent Hill 2 (Konami 2001) geanalyseerd door middel van psychoanalyse. Door de psychoanalytische methode te gebruiken kunnen onderliggende elementen van de game...Show moreIn deze scriptie wordt de game Silent Hill 2 (Konami 2001) geanalyseerd door middel van psychoanalyse. Door de psychoanalytische methode te gebruiken kunnen onderliggende elementen van de game worden blootgelegd. Omdat psychoanalyse onlosmakelijk verbonden is aan de mens, zegt deze scriptie niet alleen iets over de wetenschappelijke potentie van games, maar ook over de werking van games op de speler. Daarnaast geeft Silent Hill 2 nieuwe inzichten in bestaande psychoanalytische theorieën. In deze scriptie zal de diepgewortelde binding met de avatar worden geanalyseerd en hoe het effect van onbeschrijfbaar trauma door een gevoel van onmacht voelbaar wordt bij de speler van Silent Hill 2.Show less
The experience of illness produces profound disturbances in a person’s sense of self and integrity. Beyond the uncertainty caused by the incongruence between the sickened person’s self-concept and...Show moreThe experience of illness produces profound disturbances in a person’s sense of self and integrity. Beyond the uncertainty caused by the incongruence between the sickened person’s self-concept and his or her state of illness, there comes also an experience of uncertainty over the concept and potential prospect of death. The process of autopathography—defined by Smith and Watson as “[creating] first-person illness narratives”—often serves as a therapeutic outlet for those stricken by serious illnesses, allowing for them to both reflect on the past, as well as prompt for social change within the greater society. With reference to Erik Erikson’s stages of psychosocial development, and their resultant “virtues”, the study considers the tramatized’s intrapsychic and social orientations. It describes a functional method for analyzing autopathographical works for evidence of their authors’ working through of their trauma from these dimensions. Aude Lorde’s “The Cancer Journals” is used as a proof-of-concept case study.Show less
This thesis argues for the use of psychoanalysis in history-writing. It uses the example of Freud and Bulitt's biography on Woodrow Wilson. It focuses on their analysis of Wilson's failures during...Show moreThis thesis argues for the use of psychoanalysis in history-writing. It uses the example of Freud and Bulitt's biography on Woodrow Wilson. It focuses on their analysis of Wilson's failures during the peace negotiations at Versailles in 1919. This thesis compares this Wilson biography to other 'regular' biographies and argues that psychoanalysis is a valuable addition to history-writing.Show less
This essay is an attempt to analyse and interpret the art installation Between Darkness and Light (after William Blake) by the Scottish visual artist Douglas Gordon. The installation shows two...Show moreThis essay is an attempt to analyse and interpret the art installation Between Darkness and Light (after William Blake) by the Scottish visual artist Douglas Gordon. The installation shows two movies, The Exorcist by William Friedkin (1973) and The Song of Bernadette (1943) by Henry King, projected from either side onto a freestanding screen in the middle. The two main characters in the films, Regan in The Exorcist and Bernadette in The Song of Bernadette, are possessed. Regan is possessed by the evil demon Pazuzu and Bernadette sees Marian appartitions. For the analyses of the two films separately I make use of (post) Freudian ideas, whereas I interpret the entire installation from a Jungian point of view.Show less
The Handmaid’s Tale is a dystopia set in the near future. Written during the second wave of feminism (1985) it describes a country in which a fanatic Christian regime, The Republic of Gilead, has...Show moreThe Handmaid’s Tale is a dystopia set in the near future. Written during the second wave of feminism (1985) it describes a country in which a fanatic Christian regime, The Republic of Gilead, has seized power and has assigned the last remaining fertile women to high-ranking men with the sole purpose to reproduce. These women, including protagonist Offred, are called Handmaids. Her narrative of her oppressed situation and her memories of times before Gilead give the reader a view of what life in this regime may be like. The style of her narration provides a good view of the effect the regime has on Offred’s actions and thoughts. How does this manifest itself exactly? How and why does the regime affect her? Sigmund Freud, the forefather of modern psychology, created a theoretical framework to understand the functioning of the mind that is still implicitly influential today (even if it is often explicitly disowned). His theory makes many conjectures on how suppressed material, such as thoughts and wishes, become unconscious, and if unconscious how they may be retrieved and understood. The analysis of conscious and unconscious faculties of the mind, and the mind’s tripartite structure (ego, id and superego), underlie Freud’s master theory on the human psyche: psychoanalysis. Much of Freud’s grand theory is laid down in his dream theory. He believed that dreams were “the royal road to the unconscious” (Storr, Freud: A Very Short Introduction). This method can help to further grasp Freud’s theories on the mind. Discarded as Freud’s theories may be in psychology today, they remain influential in literary studies. Freud’s theoretical framework illuminates clearly the psychological workings of the Gilead regime, as exemplified particularly in Offred’s case. This thesis tries to understand at a psychological level how Offred functions within her society, and how she reacts to it. Therefore, like Freud would analyse a patient, this thesis will analyse Offred and her surroundings. The aim is not to simply identify Freudian elements, such as anality, orality, denial etc, but to show how these underlie an understanding of Offred, and of the novel as a whole. An analysis such as this creates and understanding of Offred’s narration and narrative, making her tale more narratable. This thesis will therefore explore The Handmaid’s Tale in a Freudian context.Show less
Different ideas on happiness in the novel Serotonin can be recognized. Ideas of the philosophers Comte and Schopenhauer are connected to the contemporary use of anti-depressants, the notion of...Show moreDifferent ideas on happiness in the novel Serotonin can be recognized. Ideas of the philosophers Comte and Schopenhauer are connected to the contemporary use of anti-depressants, the notion of suicide and the role of women in society. Freudian elements with regards to the oral phase can also be recognized in the novel.Show less
This thesis looks at how adolescence is symbolised by children's journeys to exotic Fairylands. This is a place where they learn to integrate their emotional side (id/unconsious) with their moral...Show moreThis thesis looks at how adolescence is symbolised by children's journeys to exotic Fairylands. This is a place where they learn to integrate their emotional side (id/unconsious) with their moral/conscious side (superego/ego/persona). The integration of these elements signifies maturity. The thesis takes Bruno Bettelheim's Freudian analysis of the Brothers Grimm's fairy tale 'Brother and Sister' as a 'base structure' and looks at how this structure is applicable to three books from the early twentieth century: Nesbit's "Phoenix and the Carpet", J.M. Barrie's "Peter and Wendy" and Hope Mirrlees's "Lud-in-the-Mist".Show less
A critical analysis of Charles Brockden Brown’s Wieland: or, The Transformation: An American Tale (1798) and James Hogg’s Private Memoirs and Confessions of a Justified Sinner (1824). Through...Show moreA critical analysis of Charles Brockden Brown’s Wieland: or, The Transformation: An American Tale (1798) and James Hogg’s Private Memoirs and Confessions of a Justified Sinner (1824). Through psychoanalytical and dialectic models, this thesis compares and contrasts Brown and Hogg's critique of religious fanaticism in two separate (British and American) contexts. The focus is on the Gothic trope 'the Double' used by both authors to unfold their criticism.Show less
This paper deals with the phenomenon of circumcision and how Freud and Derrida, respectively, viewed this rite. Freud viewed it quite negatively, while Derrida, on the other hand, viewed it in a...Show moreThis paper deals with the phenomenon of circumcision and how Freud and Derrida, respectively, viewed this rite. Freud viewed it quite negatively, while Derrida, on the other hand, viewed it in a much more positive way. Based on a number of primary and secondary sources, we will argue in favor of Derrida’s approach to circumcision, and thus, we will argue against Freud. This is not to say that we reject Freud. Rather, we acknowledge the immense and ongoing influence of the genius of Freud. Yet, we amend his views on circumcision, using Derrida, who, himself, was greatly inspired by Freud. Ultimately, we will argue that Freud’s (somewhat Hegelian) view on circumcision is too rigid. As we will see below, Derrida’s dynamic approach is much more useful in contemporary philosophical debate.Show less
