Master thesis | Classics and Ancient Civilizations (MA)
open access
This thesis textually re-analyses the 'Poor Man of Nippur' to argue that it can be read as a 'Mock-Heroic Pastiche' via the literary theory of Gérard Genette. Having situated the poem in its...Show moreThis thesis textually re-analyses the 'Poor Man of Nippur' to argue that it can be read as a 'Mock-Heroic Pastiche' via the literary theory of Gérard Genette. Having situated the poem in its historical context, We examine the text via intertextuality, orthography, and theme and motif. Through such a reading, our conclusions pertain to the dating, purpose, and generic definition of the PMN.Show less
This essay analyses Oiwa, the female vengeful ghost protagonist of the kabuki play Tōkaidō Yotsuya kaidan, written by Tsuruya Nanboku IV in 1825. Due to its popularity, Oiwa has been a widely...Show moreThis essay analyses Oiwa, the female vengeful ghost protagonist of the kabuki play Tōkaidō Yotsuya kaidan, written by Tsuruya Nanboku IV in 1825. Due to its popularity, Oiwa has been a widely discussed topic by experts of the field, but there is a fundamental issue to reconsider if we are to achieve a better understanding of this character: why did she turn into a vengeful spirit? By applying the theoretical concept of intertextuality, i.e. by considering the relations between Yotsuya kaidan and other texts such as its sources and other plays from Nanboku’s repertoire, this thesis challenges the consolidated opinion that Oiwa turned into this frightful creature out of jealousy towards her unfaithful husband. Although jealousy is impossible to exclude, it argues that key to unravelling the motivations behind Oiwa’s revenge is the status of Yotsuya kaidan as the parody of the famous dramatization of the forty-seven ronin’s tale Kanadehon Chūshingura (1748). As propaedeutic to the making of this point, this work also looks at a less discussed side of Oiwa’s character, that as a daughter, wife and mother of a samurai household at the end of the Edo period.Show less
This thesis examines the influence of John Milton's Paradise Lost on C.S. Lewis's The Chronicles of Narnia. In the first chapter it discusses a number of the most clear allusions to Milton's epic...Show moreThis thesis examines the influence of John Milton's Paradise Lost on C.S. Lewis's The Chronicles of Narnia. In the first chapter it discusses a number of the most clear allusions to Milton's epic in The Chronicles, where they are found and what they do. The second chapter focuses on the question of gender hierarchy, and which role Paradise Lost plays in Lewis's depiction of this in his children's series.Show less
This paper analyzes intertextuality in Robert Vuijsje's satiric novel 'Alleen Maar Nette Mensen'. The novel's main theme is multiculturalism, a real-world phenomenon the debate over which was...Show moreThis paper analyzes intertextuality in Robert Vuijsje's satiric novel 'Alleen Maar Nette Mensen'. The novel's main theme is multiculturalism, a real-world phenomenon the debate over which was influenced by Dutch politician Pim Fortuyn. In the Netherlands, Fortuyn had a major impact on the political and societal climate regarding the topic of multiculturalism. The paper uses the ideas and theoretical concepts of Mikhail Bakhtin to find out whether and where there exists an overlap between the ideas of Pim Fortuyn and various scenes and passages in the the novel 'Alleen Maar Nette Mensen'.Show less
