Research master thesis | Asian Studies (research) (MA)
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This thesis focuses on a fluid genre of glorificatory literature called Māhātmya. I critically edit, translate, and analyze a selection of Sanskrit Māhātmyas to increase our understanding of how...Show moreThis thesis focuses on a fluid genre of glorificatory literature called Māhātmya. I critically edit, translate, and analyze a selection of Sanskrit Māhātmyas to increase our understanding of how these kinds of texts come to being and how we can understand their processes of composition and transmission. I use a fourfold typology – which in itself is a result of the research – to point out different aspects of intertextuality found in the selection of texts. Analyzing these Māhātmyas contributes to a more nuanced understanding regarding issues of textual reuse, and sheds light on the concept of authorship, especially regarding the authorless religious literature of Hinduism.Show less
Master thesis | Classics and Ancient Civilizations (MA)
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This thesis textually re-analyses the 'Poor Man of Nippur' to argue that it can be read as a 'Mock-Heroic Pastiche' via the literary theory of Gérard Genette. Having situated the poem in its...Show moreThis thesis textually re-analyses the 'Poor Man of Nippur' to argue that it can be read as a 'Mock-Heroic Pastiche' via the literary theory of Gérard Genette. Having situated the poem in its historical context, We examine the text via intertextuality, orthography, and theme and motif. Through such a reading, our conclusions pertain to the dating, purpose, and generic definition of the PMN.Show less
Research master thesis | Literary Studies (research) (MA)
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Dutch Antillean writer Boeli van Leeuwen is strikingly absent in the study of Dutch postcolonial literature, despite his status as one of Dutch' most important Caribbean authors. Till this day,...Show moreDutch Antillean writer Boeli van Leeuwen is strikingly absent in the study of Dutch postcolonial literature, despite his status as one of Dutch' most important Caribbean authors. Till this day, only a few articles have been devoted to Van Leeuwen's oeuvre. In this thesis, I aim to formulate an answer to the question: in what way do Van Leeuwen's novels 'Schilden van leem' en 'Het teken van Jona' generate meaning? Why is it that 'plain facts' are insufficient to tackle these works? In my analysis I am proposing six possible readings that account for Van Leeuwen's novels that are overflowing with meaning. By studying their use of intertextuality, allegory, irony, Relation, metafiction and 'Caribbeanness,' I attempt to make the abundance productive that the reader encounters. In my conclusion I will argue that Van Leeuwen is ultimately reflecting on knowledge itself, since his writing constantly redirects the reader, without allowing a singular interpretation. The multiple voices, languages and traditions brought forth resist the monotonous and unambiguous discourse of the referential readings. Van Leeuwens fictional reality ultimately points towards itself and demonstrates the fiction hiding behind so-called plain facts.Show less
This essay analyses Oiwa, the female vengeful ghost protagonist of the kabuki play Tōkaidō Yotsuya kaidan, written by Tsuruya Nanboku IV in 1825. Due to its popularity, Oiwa has been a widely...Show moreThis essay analyses Oiwa, the female vengeful ghost protagonist of the kabuki play Tōkaidō Yotsuya kaidan, written by Tsuruya Nanboku IV in 1825. Due to its popularity, Oiwa has been a widely discussed topic by experts of the field, but there is a fundamental issue to reconsider if we are to achieve a better understanding of this character: why did she turn into a vengeful spirit? By applying the theoretical concept of intertextuality, i.e. by considering the relations between Yotsuya kaidan and other texts such as its sources and other plays from Nanboku’s repertoire, this thesis challenges the consolidated opinion that Oiwa turned into this frightful creature out of jealousy towards her unfaithful husband. Although jealousy is impossible to exclude, it argues that key to unravelling the motivations behind Oiwa’s revenge is the status of Yotsuya kaidan as the parody of the famous dramatization of the forty-seven ronin’s tale Kanadehon Chūshingura (1748). As propaedeutic to the making of this point, this work also looks at a less discussed side of Oiwa’s character, that as a daughter, wife and mother of a samurai household at the end of the Edo period.Show less
This thesis examines the influence of John Milton's Paradise Lost on C.S. Lewis's The Chronicles of Narnia. In the first chapter it discusses a number of the most clear allusions to Milton's epic...Show moreThis thesis examines the influence of John Milton's Paradise Lost on C.S. Lewis's The Chronicles of Narnia. In the first chapter it discusses a number of the most clear allusions to Milton's epic in The Chronicles, where they are found and what they do. The second chapter focuses on the question of gender hierarchy, and which role Paradise Lost plays in Lewis's depiction of this in his children's series.Show less
