Starting out from the background of contemporary art practices in post-civil war Lebanon, this thesis investigates the complex negotations and deconstructions of the archive that Walid Raad´s...Show moreStarting out from the background of contemporary art practices in post-civil war Lebanon, this thesis investigates the complex negotations and deconstructions of the archive that Walid Raad´s project The Atlas Group is undertaking. The first chapter looks into the specific agency of montage that is being used in the work Let ́s be honest the weather helped. A transformative relationship between hiding and affirming is established here, which produces 'potentiality'. In a second step, I will analyse how the subjective nature of history writing is revealed by works in The Atlas Group. The theories of Hayden White will serve as a basis for this chapter. Jalal Toufic ́s concept of the withdrawal of tradition will provide a fundament the second section of this chapter as White and Toufic are going to be put in dialogue. Toufic argues that objects and documents happen to be 'withdrawn' after traumatic events - a unconventional notion that also is reverberating in some pieces by Walid Raad. Thirdly, authority and authorship will serve as two anchor points for further observations as these two are interdependent and integral to the questions, which The Atlas Group is raising. Fourthly, I will analyse how not only the incapability of the document to record 'the decisive' moment is revealed, but also how allusions to this imperceptible instance are being made - an interview Jean Francois Lyotard and Alain Pomarède will enable deeper understanding of these observations.Show less
