Textile had a major ceremonial role in the Inca empire, and is therefore often researched in Andean archaeology. However, the focus is often on either the production process of the cloth, or on the...Show moreTextile had a major ceremonial role in the Inca empire, and is therefore often researched in Andean archaeology. However, the focus is often on either the production process of the cloth, or on the symbolic value. These approaches are rarely combined. This research focusses on the clothing of five Inca Capacocha mummies: The three individuals from mount Llullaillaco, the young boy from mount El Plomo, and the female adolescent from mount Ampato. The connection between the technology and the meaning of the woven garments is investigated through literature analysis. Technology and style meet in the structure of the textile, as the design is embedded in and part of the woven fabric itself, and the completeness of the structure can be considered a stylistic feature. The two aspects also meet in what the designs depict. These are abstract patterns that represent symmetry, repetitions, contrasts and inversions, all concepts that are found back in Inca socio-political systems, ideology, and the actual structure of woven cloth. Finally, technology meets symbology in the artisans, the people who infuse the raw material with meaning through the process of production. Their social identity and their investment of labour and time gives the textile its value and prestigious status. Treating textile as the unity that it is, brings us one step closer to understanding the people involved in the production and consumption of these goods. When approached holistically, textile holds the potential to inform us on culturally specific ideas, preferences, and values within a society, through the messages that it carries within both its structure and symbols.Show less
