Since the field’s inception, the most common method of translation within philology has been the word-for-word, “literal” method of translation. Word-for-word translations have no regard at all for...Show moreSince the field’s inception, the most common method of translation within philology has been the word-for-word, “literal” method of translation. Word-for-word translations have no regard at all for the stylistic features of the source text, and these are therefore largely lost. For a text which relies heavily on stylistic features, such as poetry, this means that a word-for-word translation can actually be an impediment to a full appreciation of the text. Philology and its translation methods originated in the nineteenth century, but more recently, starting from around the 60s and 70s of the twentieth century, the field of translation studies has given rise to alternative ways of thinking about translation. Translation theory has concerned itself with such matters as how best to maintain stylistic features and which word choice might be the most appropriate given the text as a whole. Thus, it seems that there is an opportunity here for a productive cooperation between philology and translation studies. This thesis summarises translation theory which is relevant to the translation of Old English poetry, and directly demonstrates the relevance of translation theory to philology by putting it into practice in the translation of the Old English poem, Deor.Show less
This thesis identifies a gap in existing research and reflects on the position of translations, comics, graphic novels and classics in the literary canon. By taking Homer's Odyssey as an example,...Show moreThis thesis identifies a gap in existing research and reflects on the position of translations, comics, graphic novels and classics in the literary canon. By taking Homer's Odyssey as an example, this thesis demonstrates both the didactic and the literary quality of the graphic novel, which have been and still are undervalued by academics. Furthermore, this thesis explores the nature of (intersemiotic) translation, by studying the transition from Homer's epic to Gareth Hinds' graphic novel.Show less
This thesis reports on a small-scale online self-completion survey on the opinions on subtitling conventions by Dutch viewers in order to investigate the growing dissatisfaction among Dutch viewers...Show moreThis thesis reports on a small-scale online self-completion survey on the opinions on subtitling conventions by Dutch viewers in order to investigate the growing dissatisfaction among Dutch viewers while watching subtitled television. The intuitions of Dutch lay viewers were compared to the opinions of scholars and professionals. A better understanding of lay perception of subtitling could assist in providing translations that satisfy both lay and professional evaluators. The theory suggested that while guidelines exist for subtitling, there is an increasing amount of people who are concerned about the quality of subtitling. Aside from acknowledging other causes for dissatisfaction, this self-completion survey focused on the possibility that outdated guidelines could be a cause for growing dissatisfaction. The results from the survey remained open to interpretation as the opinions of the participants on the samples presented to them were varied. However, the results do suggest that while the existence of a subtitling standard is appreciated for the sake of consistency and predictability, some specific examples of audiovisual material might benefit from deviating from the prescribed standard. Yet, the data did not provide a conclusive answer on how to implement any changes, and suggested that the changes suggested in this thesis would provide both solutions and problems for a nearly equal number of people.Show less
