Research master thesis | Arts and Culture (research) (MA)
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In the last three decades, the world has changed tremendously because of the internet and new digital technologies. This change has affected the way how cultural institutions are working internally...Show moreIn the last three decades, the world has changed tremendously because of the internet and new digital technologies. This change has affected the way how cultural institutions are working internally and also the external interaction with the public. Starting from the 1990s onwards, digital exhibitions have evolved. Digital textile and dress exhibitions are not restricted by time or place and grant broad public access to the collection of institutions. With the case study of the Textile Research Centre (TRC), this thesis shows the benefits and limitations of digital textile and dress exhibitions for opening up access to heritage collections and analyzes its prejudices and barriers. The research is carried out through a literature review, an extensive critical visual analysis and a digital lace exhibition that has been conducted in the frame of this work. The analyzation shows that virtual exhibitions are more accessible when providing a user-friendly layout, quality images of the objects, and the quality of information.Show less
Research master thesis | Arts and Culture (research) (MA)
closed access
This research maps the problems experienced by the prelingual Deaf in museums. Most Deaf people face linguistic, educational, and social barriers in museums. Nowadays, more and more museums make an...Show moreThis research maps the problems experienced by the prelingual Deaf in museums. Most Deaf people face linguistic, educational, and social barriers in museums. Nowadays, more and more museums make an effort to create access to their collection of artworks through programmes designed especially for Deaf people, like guided tours in sign language by Deaf museum educators or on tablets. An inclusive museum, however, is not labelling people as ‘Deaf’ or ‘hearing’, but is accessible to everyone without the need to design special programmes for particular groups. This interdisciplinary research combines Museum Studies, philosophy, Disability Studies, and cognitive neurosciences, to raise awareness for the inaccessibility of museums to the prelingual Deaf, and develops a theory of a multisensory presentation of collections of artworks that is accessible and beneficial not only to the Deaf, but also to other visitors. From the viewpoint of the museum visitor as embodied being, this research examines the possibility to make aesthetic judgments based on touch, taste, and smell.Show less
