Research master thesis | Archaeology (research) (MA/MSc)
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The Corded Ware culture (c. 2900-2450 BCE; CWC) was a prehistoric phenomenon encountered throughout Europe, characterized by standardized material culture and burial practices. Recent studies...Show moreThe Corded Ware culture (c. 2900-2450 BCE; CWC) was a prehistoric phenomenon encountered throughout Europe, characterized by standardized material culture and burial practices. Recent studies incorporating new scientific methods such as ancient DNA and stable isotopes suggest that this phenomenon was the result of mass migrations from the Pontic Caspian steppe, thus confirming traditional hypotheses regarding the origin and fast spread of this archaeological culture. Moreover, the grand narrative of this period includes a notion of a strict binary gender symbolism and even of a ‘male-dominant’, patriarchal society. Such an interpretation of CW gender is however largely rooted in andro- and ethnocentric, Western assumptions, in which biological sex is equated with gender, and weapons (i.e. the CW ‘battle-axe’) are associated with masculinity. This thesis aims to investigate to which extent the CWC indeed had a notion of binary gender, and to better understand how CW gender was expressed through material culture and its selective deposition in different contexts. A practical methodology with a comparative and multi-contextual approach is developed in order to study CW gender. Two case studies have been selected: the Danish administrative region of Southern Jutland, known for its very typical Single Grave practices, and the state of Bavaria in Germany, which is expected to be a focal point in the mobility of people and the exchange of raw materials. The emphasis is placed on the co-occurrences between different object categories and their ‘embodiment’, and different depositional contexts: the funerary context as well as depositions (i.e. buried objects without a body) and single finds. Strikingly, CW gender appears to have been constructed through an interplay of supra-regional and local burial styles and artefacts. The binary dichotomy seen in the funerary context is more likely the result of normative ideas regarding a supra-regional CW identity and – more idiosyncratic – local identities, although gender clearly played a role in these norms. The prehistoric reality of CW gender may thus have been more locally variable than the grand narrative would suggest.Show less
Research master thesis | Archaeology (research) (MA/MSc)
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The focal point of this thesis is the relationship between women and jewellery in the Roman Empire. This relationship is surrounded by positive and negative values, e.g. the responses of ancient...Show moreThe focal point of this thesis is the relationship between women and jewellery in the Roman Empire. This relationship is surrounded by positive and negative values, e.g. the responses of ancient authors range from more positive comments to extreme criticism. The central research question was: What social norms, relations and values does jewellery signify regarding women in the Roman Empire? The central aim is to differentiate and investigate the social norms, relations and values that were associated with the relationship between women and jewellery. In order to do this, jewellery finds and sculptural representations of jewellery from Rome (defined as core) and Palmyra (defined as periphery) in the first two centuries AD were studied. These two categories of evidence were analysed separately per region and then compared. Comparative investigation of the material in both regions increases understanding of the signifying function of jewellery with regard to the prevailing social norms. In visual culture other values, social norms and relations come forward than in the jewellery finds. Four central aspects regarding the finds and representations were focused on: types of jewellery, context, social position of the owner/portrayed, and the expression of gender. These aspects followed from the framework that was developed to study the relationship between women and jewellery, which included the concepts gender, sculptural representations and core-periphery. The research problem this study intended to solve was that archaeological evidence has been rather neglected in the study of women and jewellery. The systematic quantitative and qualitative analyses of the jewellery finds and sculptural representations of jewellery from Rome and Palmyra, attempted here for the first time on exemplary sample sets, as well as the comparison between them, have brought new insights to this field of study.Show less
