Bujangga Manik is a fifteenth-century story from Sundanese-speaking West Java about an ascetic who travels around Java and Bali before ascending to heaven. Its central narrative trope, of narrating...Show moreBujangga Manik is a fifteenth-century story from Sundanese-speaking West Java about an ascetic who travels around Java and Bali before ascending to heaven. Its central narrative trope, of narrating the ascetic's journey through a recitation of place names, has no clear parallels in South Asian literature, and I argue that it derives from an ancient Malayo-Polynesian tradition, similar to what the anthropologist J. J. Fox named the 'topogeny'. I attempt to show this through a dissection of Bujangga Manik and detailed comparison with ethnographic data from the Malayo-Polynesian-(Austronesian-)speaking world.Show less
The purpose of this study is to demonstrate the social composition of the mechanical devices portrayed in E. M. Forster’s novel The Machine Stops and of Franz Kafka’s In der Strafkolonie and how...Show moreThe purpose of this study is to demonstrate the social composition of the mechanical devices portrayed in E. M. Forster’s novel The Machine Stops and of Franz Kafka’s In der Strafkolonie and how this can be effectively used in order to interpret their imminent implosion within the stories. Beyond providing allegorical expressions for the destruction of Forster’s and Kafka’s machines, I will confront these devices with scholarly literature that highlight the social aspect of the machinic concept and, simultaneously, propose its transcendental dimension that exceeds its material structure and expands within social fields. Thus, the machines within Forster’s and Kafka’s stories are not merely operational structures or tools, but social entities with affective propositions.Show less
