Research master thesis | Literary Studies (research) (MA)
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This thesis examines the depiction of solitude in the novels Caleb Williams, Frankenstein, and A Tale of Two Cities, and the relationship between these depictions and eighteenth- and nineteenth...Show moreThis thesis examines the depiction of solitude in the novels Caleb Williams, Frankenstein, and A Tale of Two Cities, and the relationship between these depictions and eighteenth- and nineteenth-century discourses on solitude. In particular, this thesis shows the tension between philosophies of sociability and sympathy, such as Rousseau’s and Hume’s, and the moral dimension of solitude. While previous research has examined solitude by focusing on either Romantic solitude or on loneliness as an imposed condition by social forces, this thesis aims to investigate the moral value of solitude, and its relation to social criticism. Taking a cultural materialist approach, this thesis examines cultural discourses surrounding solitude and offers close readings of the novels to argue that these novels present sociability as a divisive force in society, and solitude as both necessary to foster a connection to humanity, and a necessary condition for justice and morality. The privileging of solitude over sociability shows how these novels respond to the emphasis of Enlightenment philosophy on sympathy and similarity and suggest an alternative foundation for justice and morality in situations where sociability and similarity are insufficient.Show less
Human beings make sense of the world through the stories that they tell. Contemporary media is still predominately postmodern, but there are signs that there is a shift towards a new ‘post...Show moreHuman beings make sense of the world through the stories that they tell. Contemporary media is still predominately postmodern, but there are signs that there is a shift towards a new ‘post-postmodern’ paradigm. In this thesis I will analyze this shift through the figure of the literary vampire, introducing the concept of the hauntological dominant of post-postmodernism.Show less
Bachelor thesis | Afrikaanse talen en culturen (BA)
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Analysis of witchcraft as literary motif in the novels: Ceux qui sortent dans la nuit by the Cameroonian writer Mutt-Lon and Elonga by the Gabonese writer Angèle Rawiri. Focussing on how witchcraft...Show moreAnalysis of witchcraft as literary motif in the novels: Ceux qui sortent dans la nuit by the Cameroonian writer Mutt-Lon and Elonga by the Gabonese writer Angèle Rawiri. Focussing on how witchcraft is described in the novels and to what extent this image is determined by the author's own interpretation of and view on witchcraft or by research.Show less
Dealing with a close literary reading of selected narratives from colonial Korea this thesis aims to how the authors depicted a certain image of the Manchurian space in order to confront the...Show moreDealing with a close literary reading of selected narratives from colonial Korea this thesis aims to how the authors depicted a certain image of the Manchurian space in order to confront the question of the self. The thesis hopes to contribute to that body of work which seeks to unveil the complexities in conceiving identity under colonialism.Show less
A brief analysis of two books written by authors who were children during the independence war and nakba of 1948. The two are compared in the way that they present nationalism to children.
The purpose of this study is to demonstrate the social composition of the mechanical devices portrayed in E. M. Forster’s novel The Machine Stops and of Franz Kafka’s In der Strafkolonie and how...Show moreThe purpose of this study is to demonstrate the social composition of the mechanical devices portrayed in E. M. Forster’s novel The Machine Stops and of Franz Kafka’s In der Strafkolonie and how this can be effectively used in order to interpret their imminent implosion within the stories. Beyond providing allegorical expressions for the destruction of Forster’s and Kafka’s machines, I will confront these devices with scholarly literature that highlight the social aspect of the machinic concept and, simultaneously, propose its transcendental dimension that exceeds its material structure and expands within social fields. Thus, the machines within Forster’s and Kafka’s stories are not merely operational structures or tools, but social entities with affective propositions.Show less
Slang is a nonstandard informal vocabulary peculiar to a group. In this digital age, the reproduction and evolution of slang words has become faster due to the digital platforms that they are often...Show moreSlang is a nonstandard informal vocabulary peculiar to a group. In this digital age, the reproduction and evolution of slang words has become faster due to the digital platforms that they are often used in. Research has been done on the lexical aspects of slang and slang in general (Sornig (1981); Metcalf (2002)), and on forms of digital slang (McCulloch (2019)), but none view slang as a mode of translation and applied it to to other types of text besides messages on social media. This thesis will address where digital slang terms come from, and if their origins can help explain how likely they are to be understood by someone who speaks regular English. To do so I will annotate a slang translation of Harry Potter, and research the etymological origins of the slang to try to discover - using Metcalf’s (2002) FUDGE theory - which slang terms are more likely to be understood. I expect to find that the slang terms that more closely resemble regular English words are more likely to be understood.Show less
Bachelor thesis | Film- en literatuurwetenschap (BA)
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Why do boys seem to prefer the films rather than the books? In this thesis I try to come up with an answer by comparing the representation of gender within two Young Adult books and their...Show moreWhy do boys seem to prefer the films rather than the books? In this thesis I try to come up with an answer by comparing the representation of gender within two Young Adult books and their adaptations (The Hunger Games and Divergent). And analyse the way in which stereotypes are being represented and if these stereotypes are in any way appealing to the young boy or girl reader.Show less
This thesis examines the gender representation in the animated series Avatar: the Last Airbender by analyzing several male and female characters of the series. Gender theories by Judith Bulter...Show moreThis thesis examines the gender representation in the animated series Avatar: the Last Airbender by analyzing several male and female characters of the series. Gender theories by Judith Bulter served as the main sources for this thesis.Show less
This thesis examines the theme of gender hierarchy in William Shakespeare’s romantic comedy The Taming of the Shrew (1592). The gender relations in the play are complex: its title, referring to the...Show moreThis thesis examines the theme of gender hierarchy in William Shakespeare’s romantic comedy The Taming of the Shrew (1592). The gender relations in the play are complex: its title, referring to the taming of Kate by her husband-to-be Petruchio, already suggests that women are going to be put down as the inferior sex. However, it is not as simple as that. Throughout the play, the question remains of whether Petruchio actually does tame Katherine. If he does, moreover, it is worth examining the precise meaning of this ‘taming’, and the ‘taming’ methods which Petruchio employs. In addition, the meaning of the play depends to a significant extent on the staging decisions made by the director. For example, different stagings may invite different responses to the wager, in the closing scene, on who has the most obedient wife. All of this has caused scholars and directors alike to interpret this play in very different ways, attributing widely divergent labels to it, ranging from ‘patriarchal’ or even ‘misogynistic’, to ‘satirical’ and ‘pre-feminist’. I have studied commentaries by scholars with interpretations on both ends of the spectrum to identify the foundation for their particular analyses. I also offer a close-reading of the play, focusing especially on those scenes which have drawn attention with regard to gender relations. Thus I shed light on how the play allows for such different readings. In chapter 2, I have applied this knowledge to a recent Globe production of the Taming of the Shrew, directed by Toby Frow. There I examine how this staging interprets the questions surrounding gender hierarchy that are so central to The Shrew.Show less
This thesis investigates the participation of George R.R. Martin's A Song of Ice and Fire (1996-2011) in a tradition of nominally feminist fantasy literature that challenges patriarchal values...Show moreThis thesis investigates the participation of George R.R. Martin's A Song of Ice and Fire (1996-2011) in a tradition of nominally feminist fantasy literature that challenges patriarchal values commonly found in the genre. By close-reading the characters of Arya, Sansa, and Brienne, this thesis argues that the novels act as a subversion of common fantasy tropes while at the same time standing in opposition to nominally feminist fantasy literature that centers on female protagonists overcoming the patriarchy through skill at arms. By emphasizing the struggle of everyone living under the patriarchy, Martin's series instead highlights the need for cultural revolution in attitudes towards gender.Show less
This thesis argues that the story about Melibeus must be read as a call for peace, and that each version was written to comment on specific events. The versions of Jan van Boendale and Dirc Potter...Show moreThis thesis argues that the story about Melibeus must be read as a call for peace, and that each version was written to comment on specific events. The versions of Jan van Boendale and Dirc Potter are compared and examined against the political and cultural background of their writers.Show less
In 2010 the BBC launched a new series called Sherlock, a contemporary adaption of the Holmes stories. In this recent adaption created by Stephen Moffat and Mark Gattis, the original characters are...Show moreIn 2010 the BBC launched a new series called Sherlock, a contemporary adaption of the Holmes stories. In this recent adaption created by Stephen Moffat and Mark Gattis, the original characters are presented with a modern twist. Gattis and Moffat are known for their work on the BBC series Dr Who, a programme with a central character himself notably indebted to Holmes. The villains in the BBC series Sherlock challenge Sherlock to commit wicked deeds, and therefore perhaps to become a villain himself. This thesis will argue that in this way the show sets out to destabilize and call into question notions of an essential distinction between heroism and villainy.Show less
In the last few decades, there has been an emergence of feminist texts that relate themselves to Homer’s renowned myths, The Iliad and The Odyssey. Inspired by these feminist narratives that...Show moreIn the last few decades, there has been an emergence of feminist texts that relate themselves to Homer’s renowned myths, The Iliad and The Odyssey. Inspired by these feminist narratives that revolve around the centring of the female characters within a myth, this thesis poses an analysis of the emergence and importance of mythmaking by women writers. In my research, I have focused on Pat Barker’s The Silence of the Girls Madeline Miller’s Circe, two of the most recent examples of feminist mythmaking. Both Barker and Miller are able to give a voice to women that have often been silenced in ‘classic’ myths: Briseis and Circe. The texts foreground the complexity of their female protagonists by relating their stories to the patriarchal world surrounding them. Building onto this, both texts reflect on mythmaking and storytelling on an overarching level, thereby offering us a subtle critique on the way myths have been written and read in the past. Strikingly, scholars have recently studied these feminist mythmakings as mere ‘rewritings’ or ‘fictionalisations’ of Homer’s ‘classics’. The effect is a limiting analysis in which the true intertextuality of the stories gets lost in a restricting methodology. In this thesis, I propose a new way to analyze these mythmakings in an appropriate and respectful way, by using the concept of ‘mosaic mythmaking’.Show less
