Morning drama series, asadora, attract one of the highest number of viewers watching programmes on Japanese television. These serialised drama series broadcasted by state broadcaster NHK over the...Show moreMorning drama series, asadora, attract one of the highest number of viewers watching programmes on Japanese television. These serialised drama series broadcasted by state broadcaster NHK over the course of half a year, have induced large-scale tourism to sites related to the film locations in the series. The success of such “contents tourism” has a significant economic effect, inspiring producers to choose rural areas coping with depopulation and economic loss. This thesis takes the series Hiyokko, broadcasted in 2017, as an example to explore the field of contents tourism and its cultural framework and history. By investigating the content and narrative of asadora, as well as the economic impact of rural revitalisation, this thesis provides an extensive study on asadora from a socio-cultural and economic perspective.Show less
Since the 1979 revolution, the idea that the West has been involved in a conspiracy against Iran has become one of the most important national myths of the Islamic Republic. In recent years this...Show moreSince the 1979 revolution, the idea that the West has been involved in a conspiracy against Iran has become one of the most important national myths of the Islamic Republic. In recent years this national narrative has found new meaning as the “soft war”. A modern iteration of the myth of foreign conspiracy, it stipulates that Western powers seek to infiltrate the moral fabric of Iranian society through Western cultural products and media channels and by extending support to Iranian civil society. Since the 2009 Iranian presidential election protests the soft war has become one of the defining features of Iranian governmental discourse. The election protests relied to a large extent on digital communication and social media platforms to mobilize the opposition to the re-elected president Mahmoud Ahmadinejad (2005-2013). The soft war narrative was the primary justification for the increasing control of the Iranian authorities over their country’s cybersphere which accompanied the regime’s crackdown on the 2009 demonstrations. While the topics of digital repression and the soft war during the terms of president Ahmadinejad have received their share of scholarly attention, a review their status under the current Iranian president of Hassan Rouhani is lacking. This thesis aims to fill this gap in the literature by analyzing how the soft war narrative has been used in Iranian governmental discourse to justify control of Iran’s media environment and in particular, control of Iran’s internet, during the tenure of president Rouhani as compared to during the Ahmadinejad era. Particular attention is paid to the legacy Western imperialism in Iran, factional politics in contemporary Iran and the influence of the country’s political economy on the Iranian state’s restrictions on internet freedom under Mahmoud Ahmadinejad and Hassan Rouhani.Show less
The term post-truth politics has become increasingly popular and more frequently used since 2016, a time that has also coincided with Donald Trump becoming the president of the United States of...Show moreThe term post-truth politics has become increasingly popular and more frequently used since 2016, a time that has also coincided with Donald Trump becoming the president of the United States of America and of the growing global popularity of populist politics. To properly understand post-truth politics an analysis of political truths, lies, and bullshit are necessary, as is a broader investigation and analysis of society in general, specifically it’s media. This thesis seeks to investigate and analyse what post-truth politics exactly is and also answer whether or not such a term is describing a new political phenomenon, because if post-truth politics is not describing a new political phenomenon then the use of the term seems to be unjustified.Show less
De hedendaagse kunstenaar Ronald Ophuis draagt met zijn schilderijen bij aan het ethische debat omtrent de representatie van extreem geweld in verhouding tot de persfotografie en de beeldende kunst.
After the end of the Cold War, US – Russia relations have been fluctuating. In recent years, they have been deteriorating, partly because of the annexation of Crimea by Russia in March 2014. The...Show moreAfter the end of the Cold War, US – Russia relations have been fluctuating. In recent years, they have been deteriorating, partly because of the annexation of Crimea by Russia in March 2014. The portrayal in the media of the other has become increasingly negative in both states, and public opinion polls show that an increasing number of Americans and Russians saw each other as “unfavourable” in the months after the annexation. The purpose of this thesis is to examine how the annexation was framed in both American and Russian news. It employs a deductive framing analysis, using five pre-defined, issue-specific frames, that were derived from the literature. The dataset consists of two articles each out of two Russian and two American newspapers. The thesis concludes that American and Russian news have framed the annexation differently: American news framed the annexation as an aggressive Russian act, whereas Russian news framed it as a result of the Crimean people freely expressing their will to reunite with Russia. As media has an influence on public opinion, the results of this research partly explain the decline of respective favourability in public opinion.Show less
This thesis shows that, despite many rumors that in the summer of 2015 German newspapers would report on refugees with a bias, the "Frankfurter Allgemeine Zeitung" reports very balanced and...Show moreThis thesis shows that, despite many rumors that in the summer of 2015 German newspapers would report on refugees with a bias, the "Frankfurter Allgemeine Zeitung" reports very balanced and objective concerning refugee related topics.Show less
