The Eurovision Song Contest has, since its establishment in 1956, became a forum for European interaction and space where European identity is defined and performed. Participating states are...Show moreThe Eurovision Song Contest has, since its establishment in 1956, became a forum for European interaction and space where European identity is defined and performed. Participating states are expected to embrace the established shared norms and values, while presenting their cultural identity to a global audience. Examining Eurovision through mega-events theory, this thesis will answer: how are mega-events utilised by states and their critics to present and disseminate competing narratives on the host state’s identity and right to host? To do so, the 2019 contest in Israel will be examined as a case study to demonstrate how mega-events can be instrumentalised by states and critics. In doing so it also explores the dangers inherent in hosting a mega-event. This thesis will conclude that Israel utilised the hosting of the Eurovision Song Contest in 2019 as an opportunity to present a clear narrative of Israel as a legitimate and worthy member of Eurovision, and by extension Europe, by echoing the values of the contest. However, critics of Israel also utilised the same show to counter this narrative by challenging Israel’s adherence to Eurovision’s values and the ability of Eurovision to uphold its apoliticality when hosted by a controversial state. These competing narratives demonstrate how mega-events create a forum both for hosting states to disseminate their narratives and for critics to counter it, it also demonstrates how the values of a mega-event can be instrumentalised by critics to attack and delegitimate the hosting state.Show less
This paper tackles the question of state-initiated identity construction at home, which is integral to the CCCP’s regime legitimacy. The main focus of the article is a case study on the World Expo...Show moreThis paper tackles the question of state-initiated identity construction at home, which is integral to the CCCP’s regime legitimacy. The main focus of the article is a case study on the World Expo held in Shanghai in 2010. This project investigates how iconic images from the Shanghai Expo 2010 (slogan, opening ceremony, logo, and venues’ architecture) form a visual narrative in which Chinese history and identity are configured to meet the political goals of the Central Communist Party. This paper contends that, during the staging of Shanghai World Expo 2010, the Chinese ruling elite propagated official image in a continuous effort to reproduce the beliefs of the population in the Communist Party’s leadership qualities. This paper suggests that the attempts of the Chinese government to strengthen its legitimacy can be connected to the process of national identity creation.Show less
