This thesis explores the way in which a realistic representation of a specific martial art in a martial arts movie is conveyed and to what extent this serves nationalistic purposes. The focus is to...Show moreThis thesis explores the way in which a realistic representation of a specific martial art in a martial arts movie is conveyed and to what extent this serves nationalistic purposes. The focus is to introduce a new approach of categorizing the performative body of the actor. The fashion in which the display of skill is portrayed, determines not only credibility of the performance, but also determines whether or not a martial arts movie can serve as a platform for a rediscovery of lost cultural heritage. The realistic depiction of a specific indigenous martial art such as Wingchun in Wilson Yip’s Ip Man (2008) as: (a) effective, (b) truthful to the martial art techniques in real-life, and (c) built on a story of national pride, serves nationalistic purposes. I argue in this thesis that we have been witnessing the emergence of a new trend in martial arts cinema: effective realism.Show less
