This thesis aims to provide an overview of how certain gendered narrative tropes have made their way from action-adventure film and television into video game stories of the same genre, of the...Show moreThis thesis aims to provide an overview of how certain gendered narrative tropes have made their way from action-adventure film and television into video game stories of the same genre, of the differences that have arisen between these types of media, and of why we can recognise these differences. It does so through an analysis of the 21st century in television and film, in order to outline gendered tropes regularly found in these media. This is followed by a discourse analysis of three case studies: Tomb Raider (2013), Horizon Zero Dawn (2017) and The Last of Us: Part II (2020).Show less
Abstract Purpose: This thesis aims to understand, clarify, and further explore the mechanism underlying the relationship between gender and corruption. The objective is to test and develop theory...Show moreAbstract Purpose: This thesis aims to understand, clarify, and further explore the mechanism underlying the relationship between gender and corruption. The objective is to test and develop theory about the link between gender representation in the legislature and corruption levels. Design and methodology: The research design is qualitative. Eight (8) semi-structured interviews with municipal councillors were conducted, coded, and analysed. Through the interviewees’ lived experiences, patterns of attitudes and relationships can be explored, and causation can be established. Findings: The results find that marginalisation is the mechanism that mediates between high corruption levels and low female representation in the legislature. Women are not less corrupt than men. They have fewer opportunities to engage in corrupt behaviour. The lack of accessibility in corrupt networks mediates the link between gender and corruption in the legislature. Research contribution: The existence of an association between gender representation in the legislature and corruption levels has already been established. This thesis answers the call for more research on the mechanism underlying the link between gender and corruption. Practical implications: The findings are relevant for policymakers in Greece. Marginalisation leads women to leave the political scene, further exacerbating the issue of lack of representation. On the contrary, a high female representation may not lead to lower levels of corruption, but it may encourage diverse views for the society’s benefit to be expressed.Show less
This study examined how the film industry, Israeli and Palestinian in particular, can be used to promote intergroup dialogue and foster peace in the context of the long-lasting intractable conflict...Show moreThis study examined how the film industry, Israeli and Palestinian in particular, can be used to promote intergroup dialogue and foster peace in the context of the long-lasting intractable conflict between Israelis and Palestinians. I focused on content analysis of two films, one produced by Israeli and the other by Palestinian filmmakers. The reason for choosing these films is that both films were released after the Oslo Accords during a dynamic period. The analysis is based on the way each group represented each other, whether they encourage intergroup dialogue within the films, and what their view was on the ongoing peace negotiations. These questions paved the way for answering the question of whether the film industry can promote peace in the Israeli-Palestinian conflict. The analysis was grounded on Gordon Allport’s concept of Contact Hypothesis – further advanced by Ilfaz Maoz – which designates that intergroup contact can be effective in reducing negative stereotypes between groups in conflict and mutual prejudices. My findings reveal that the Israeli film contributed to creating one of the necessary conditions to reach peace. Although, the Palestinian focus is still on forming a national identity and longing for the past. This investigation adds to our understanding that film industries can serve as a platform that can provoke dialogue and contact among conflicting groups. Nevertheless, Israeli and Palestinian films released within the Oslo Process failed in choosing for this opportunity. Based on these examples, it is possible to conclude that changing conflict-driven narratives and stereotypes of the Other is a major challenge that societies face if they are willing to work towards peacemaking.Show less
This research aims to answer the question “How gender representation in politics affects the outcome of policymaking in the federal government of Nigeria”. And to help answer the questions, two...Show moreThis research aims to answer the question “How gender representation in politics affects the outcome of policymaking in the federal government of Nigeria”. And to help answer the questions, two hypotheses were formulated which are H1: greater women's representation in politics and decisionmaking positively affects the outcome of policymaking leading to economic growth and development of a country; H2: increasing the number of women decision-makers in politics leads to an outcome that is beneficial for women as well as their male counterparts. To test these hypotheses, a combination of desk research and informal/unstructured interview was carried out. It is emphasized that the gender representation in this research is focused on politics at the federal government level. Gender representation in politics at the federal level is selected because laws, policies, and decisions made at the federal government supersede all other levels (states and local government levels) of governance in Nigeria. The findings of this research support the two hypotheses as the desk research shows that the few women in politics who served on the federal level have positively impacted life’s in diverse ways while contributing to the economic growth of the country; from empowering the poor and vulnerable, providing jobs, developing new policies, challenge previous unfavorable status quo and above all alleviating poverty and thereby boosting the economic situation of the country. These findings were also supported by the interviewees. When women are included in political affairs such as decision making, it led to the development of laws and regulations that every inhabitant of the country benefit from. The research also contributed to knowledge by enumerating factors limiting the political representation of women at the federal government level. These main factors identified include religion, culture, marriage, fear, perception, education, and less or no fund. The dominant factors seem to be religion, culture, and marriage; these factors were further substantiated by the interviewees.Show less
“Women rights are human rights” of “the future is female”, dit zijn inmiddels veel gehoorde uitspraken. Er is steeds meer aandacht voor gelijkheid tussen vrouwen en mannen. Ook diversiteit in de...Show more“Women rights are human rights” of “the future is female”, dit zijn inmiddels veel gehoorde uitspraken. Er is steeds meer aandacht voor gelijkheid tussen vrouwen en mannen. Ook diversiteit in de media is erg belangrijk, schrijven Hoks & Eliasar (2017), diversiteit zorgt voor een meer open blik en acceptatie van diverse standpunten van verschillende groepen. Bovendien is het de taak van de media het goede voorbeeld te geven: wanneer media bestaande verschillen versterken en bevestigen, zal dit bijdragen aan genderongelijkheid (Segijn, et al., 2014: 309). Naar gelijkheid tussen vrouwen en mannen is al veel onderzoek gedaan, zowel in Nederland als in het buitenland. Deze onderzoeken gingen over de aanwezigheid van vrouwen in de media, maar ook over de aanwezigheid van vrouwelijke wetenschappers in de media. Bij eerder uitgevoerd onderzoek werden vooral offline uitingen onderzocht. Zoals aanwezigheid van vrouwelijke wetenschappers in de krant, op tv of in wetenschappelijke magazines. In deze scriptie wordt onderzoek gedaan naar de online berichtgeving van de drie grootste Nederland- se nieuwsmedia onderzocht op representativiteit. Het doel van dit onderzoek is een beeld krijgen van hoe de verhouding tussen vrouwen en mannen in online berichtgeving van de grootste Nederlandse nieuwsmedia is. Maar vooral hoe de vrouw met wetenschappelijke achtergrond wordt gerepresenteerd in online berichtgeving en inzicht krijgen in hoe representatief de grootste Nederlandse nieuwsmedia zijn. Om hier achter te komen is voor deze scriptie de volgende onderzoeksvraag opgesteld: Hoe worden vrouwen met een wetenschappelijke achtergrond gerepresenteerd in online berichtgeving van de grootste Nederlandse nieuwsmedia? Dit wordt in deze scriptie onderzocht door middel van kwantitatieve en exploratieve kwalitatieve inhoudsanalyse. De kwantitatieve inhoudsanalyse is uitgevoerd door middel van een zogeheten samengestelde week. Berichten uit een periode van 30 juni t/m 31 december 2019 zijn onderzocht. Bij de exploratieve inhoudsanalyse wordt in de gevonden data gezocht naar patronen en overeenkomsten. De inhoudsanalyse toont aan dat vrouwen in online berichtgeving veel minder aan het woord zijn dan mannen. Van de gevonden rollen werd 63% gevuld door mannen en 20% door vrouwen. Vrouwen zijn in alle onderzochte rollen minder aan het woord dan mannen, het hoogste aandeel vrouwen is 30%, namelijk in een rol als prominent persoon of journalist. Ook zijn vrouwen minder in beeld bij online berichtgeving dan mannen. Bovendien zijn vrou- wen anders in beeld dan mannen, blijkt uit de exploratieve kwalitatieve inhoudsanalyse. Vrouwen zijn vaak meer close-up, meer casual gekleed en minder vaak in een werksetting in beeld dan mannen. Van het aantal personen met een wetenschappelijke achtergrond was meer dan drie kwart van de personen mannelijk en iets meer dan een kwart (19%) vrouwelijk. Ook de manier van presenteren van vrouwen met een wetenschappelijke achtergrond verschilt met die van mannen. Mannen worden vaker bij hun achternaam genoemd en de functie van mannen wordt vaker genoemd. Vrouwen worden juist vaker ook bij hun voornaam genoemd. Dit betekent dat vrouwen met een wetenschappelijke achtergrond niet goed gerepresenteerd en gepresenteerd worden in online bericht- geving van de drie grootste Nederlandse nieuwsmedia. Sterker nog, van geen enkele andere onderzochte rol is er sprake van representativiteit in de nieuwsmedia. De verhoudingen tussen vrouwen en mannen aan het woord en in beeld in online berichtgeving zijn scheef en deze komen niet in de buurt van de werkelijke verhoudingen in Nederland. Een eventueel vervolgonderzoek naar vrouwen met een wetenschappelijke achtergrond in online berichtgeving, kan zich richten op het verzamelen van data via social media, hierbij kan dan ook meer visuele data verzameld worden. Voor het vervolgonderzoek is het dan ook belangrijk om data te verzamelen van alle nieuwsmedia uit Nederland. Zo kan het corpus veel verder worden uitgebreid en ontstaat een vollediger beeld.Show less
This thesis was inspired by a film. While watching James McTeigue’s V for Vendetta (2005), I came to notice the similarities between the film’s dystopian society and twentieth century totalitarian...Show moreThis thesis was inspired by a film. While watching James McTeigue’s V for Vendetta (2005), I came to notice the similarities between the film’s dystopian society and twentieth century totalitarian regimes—the Third Reich (1933-1945), Fascist Italy (1922-1943), and Soviet Russia (1922-1991)—and their respective treatment of art. In order to answer the question of how art is represented in films about totalitarianism, and contextualize this relationship historically, six films have been analyzed. These films have been selected for their depiction of fictional totalitarian regimes which bear resemblance to the aforementioned three historic ones. A discussion is created which analyzes how art and material culture in the films are used to indoctrinate the people and reaffirm the government’s power. This includes not only propaganda posters and images, but the use of symbols and sigils, as well as the use of art to establish the regime as a new religion. The desire for a “one true art form” to replace the degenerate arts and promote the regime, as seen in the Third Reich and Soviet Russia especially, is not seen in the films, which instead focus more on a holistic ban on art and culture. Finally, the way degenerate art is represented in the film shows it to provide support for the narrative. Most art seen in the films belongs to the characters who embody the rebellion or those with enough power and resources to exist above the illegality of art ownership.Show less
In the last few decades, there has been an emergence of feminist texts that relate themselves to Homer’s renowned myths, The Iliad and The Odyssey. Inspired by these feminist narratives that...Show moreIn the last few decades, there has been an emergence of feminist texts that relate themselves to Homer’s renowned myths, The Iliad and The Odyssey. Inspired by these feminist narratives that revolve around the centring of the female characters within a myth, this thesis poses an analysis of the emergence and importance of mythmaking by women writers. In my research, I have focused on Pat Barker’s The Silence of the Girls Madeline Miller’s Circe, two of the most recent examples of feminist mythmaking. Both Barker and Miller are able to give a voice to women that have often been silenced in ‘classic’ myths: Briseis and Circe. The texts foreground the complexity of their female protagonists by relating their stories to the patriarchal world surrounding them. Building onto this, both texts reflect on mythmaking and storytelling on an overarching level, thereby offering us a subtle critique on the way myths have been written and read in the past. Strikingly, scholars have recently studied these feminist mythmakings as mere ‘rewritings’ or ‘fictionalisations’ of Homer’s ‘classics’. The effect is a limiting analysis in which the true intertextuality of the stories gets lost in a restricting methodology. In this thesis, I propose a new way to analyze these mythmakings in an appropriate and respectful way, by using the concept of ‘mosaic mythmaking’.Show less
This thesis sought to answer the question: to what extent are documentary viewers consuming an androcentric image of the Palaeolithic? In order to reach a conclusion, it first examined several...Show moreThis thesis sought to answer the question: to what extent are documentary viewers consuming an androcentric image of the Palaeolithic? In order to reach a conclusion, it first examined several prominent models of human evolution and early subsistence, noting the roles of males and females in each, and any bias or stereotyping that arose. Secondly, ethnographic evidence was cautiously evaluated to determine the extent to which anthropological models of early hunter-gatherers accurately reflect modern hunter-gatherer lifestyles. In addition, representations and depictions of Palaeolithic life, and in particular Palaeolithic women and their work, from various popular media sources were examined. Evolutionary theory, ethnographic and archaeological evidence, and common themes in the representation of Palaeolithic women were examined together to devise a definition of ‘androcentrism’ in this context. This definition was then compared to the treatment of women in five documentaries depicting Palaeolithic life, chosen for their perceived scientific authority and influence over the public’s understanding of the Palaeolithic. The results of the analysis of these documentaries showed they firmly adhered to the definition of androcentrism previously devised. Across all documentaries, women were vastly underrepresented compared to men. Where women were represented, they were shown engaging in a much more limited range of activities than men, and these activities perpetuated a modern, Western notion of women’s ‘place’. Women were tied to activities associated with nature such as gathering and childcare, and were excluded from activities related to culture including stone tool use, ritual and art. Activities that were most commonly carried out by females, such as gathering, were also significantly underrepresented in comparison to perceived male activities such as large game hunting. Having established the significant overrepresentation of males and a privileging of their activities across all documentaries examined, this thesis concluded by offering advice for future documentaries to avoid presenting such an overtly androcentric view of the Palaeolithic.Show less
In the last century the Netherlands went through several large changes. After the Second World War, the Netherlands, as many other West-European countries, modernized which included the creation of...Show moreIn the last century the Netherlands went through several large changes. After the Second World War, the Netherlands, as many other West-European countries, modernized which included the creation of large industry, the process of destratification, secularization, emancipation of women, democratization of politics and the emancipation of minority groups like homosexuals. Supposedly, Iran went through an opposite and backward development. From the glory years of the Shah, when modernization of Iran was top priority, the country rapidly declined, in the eyes of the Dutch, into the realm of a backward religious society which the Netherlands tried to espouse for a long time. The knowledge Dutch people have about Iran is not based on individuals visiting Iran but on how the media portrays Iran and reports on Middle Eastern affairs. However, is this dichotomy between Iran, as an Eastern country, and the Netherlands, as a Western country, so clear? When looking into contemporary documentaries Iran is still portrayed as different country than the Netherlands. Portraying is focused on the religious repression, backward economy, bearded men and veiled women. When comparing the footage of contemporary documentaries with documentaries from the start of this genre in 1960, the same type of footage is shown. Has Iran not changed since then? This type of footage seems to fall under the greater themes of Orientalism and the Western narrative of modernity and have been present in the Western conception of the Middle East for very long. This research focusses on the discourses of Orientalism and the Western narrative of modernity in Iranian representation in Dutch documentaries from 1960 until 2018 and the continuity and discontinuity in this representation. This research contributes to the understanding of the development of Orientalism and the Western narrative of modernity in the 20th and 21st century.Show less
Okinawa’s position within Japan has been historically regarded with ambivalence in Japanese mainstream discourse, which is particularly visible in Japanese cinema featuring the prefecture. Such...Show moreOkinawa’s position within Japan has been historically regarded with ambivalence in Japanese mainstream discourse, which is particularly visible in Japanese cinema featuring the prefecture. Such films have been predominantly produced by mainland Japanese directors, and have often been criticized for depicting Okinawa in stereotypical and essentializing ways. This thesis places Paradise View, the understudied first feature film of Okinawa-born independent director Takamine Gō, in the above-mentioned context and focuses on the film’s thematic and narrative analysis to put it forward as a case study of a film that actively evades and challenges such representations.Show less
This thesis analyses the racial relations and political participation of the Brazilian public during the reign of ex-president Lula da Silva, (2003-2011). This thesis realises an analysis of...Show moreThis thesis analyses the racial relations and political participation of the Brazilian public during the reign of ex-president Lula da Silva, (2003-2011). This thesis realises an analysis of national identity and identity politics between the years 2003-2011 in combination with an analysis of racial representation within the government, but also within Brazilian society during this time in relation to the legacy of the theory of racial democracy. This thesis analyses whether or not the socio-economic setting for ethnic minorities such as Afro-Brazilians has improved since the colonial era.Show less
This thesis aims to examine the conventions governing both photojournalism and art with regard to war photography. More specifically, how are conventions in representations of war in...Show moreThis thesis aims to examine the conventions governing both photojournalism and art with regard to war photography. More specifically, how are conventions in representations of war in photojournalism interrogated by artists and what conventions in turn govern artistic approaches to war photography? The relationship between art and war photography will be examined in relation to three artworks, which present a complementary approach towards the discussed issues.Show less
From 1630 to 1654 the Dutch West India Company have succeeded in establishing a colony in the Northeast part of Brazil, then under the dominance of Portugal. Its most preeminent governor, Johan...Show moreFrom 1630 to 1654 the Dutch West India Company have succeeded in establishing a colony in the Northeast part of Brazil, then under the dominance of Portugal. Its most preeminent governor, Johan Maurits van Nassau-Siegen, administered the protectorate through slave and sugar trade, inviting artists, botanists and scientists to document the natives and new inhabitants’ daily life and customs. Johan Maurits’ collection of Brazilian representations and artefacts was mostly donated throughout his life in order to secure him alliances after his return from Brazil and most of the works made during the period are now in European museums, such as the Mauritshuis, in the Netherlands. As art is rarely dissociated from its appreciation, it is vital in the contemporary postcolonial world that we discuss, not only the production of these artworks, but also their display, their reception and more importantly, their role in present day societies. The role of Johan Maurits as a ‘benefactor of the arts’ has been broadly praised by scholarly research, and his effort in documenting the daily life in the ‘New World’ has been commonly seen as the work of a ‘humanist prince’ in the tropics. Nonetheless, I argue that precisely because of this mythification of Dutch Brazil, historiography has failed so far – with a few exceptions – in critically analysing the representations produced during the Dutch occupation. By considering these works as true masterpieces only possible because of the effort of a magnificent patron, the relationship between the artist, his commissioner and the object is overlooked. The social and hierarchical interpretations of what is depicted give room to formalist approaches, and the impact of this fruitful production in the imaginary of a European audience is again ignored. This thesis intends to analyse these representations and their impact on the understanding and the construction of an identity of Brazilian society as viewed by Europeans. Taking Frans Post's View of Itamaracá Island (1637) as a case study, it envisions to connect the postcolonial debate of representation with the museum practice in the contemporary and discuss the role of institutions as bearers of colonial legacies.Show less
A case study of the infra-municipal/departmental decentralization in the city of Paris during the period in which Jacques Chirac was mayor of Paris (1977-1995), which shows that the institutional...Show moreA case study of the infra-municipal/departmental decentralization in the city of Paris during the period in which Jacques Chirac was mayor of Paris (1977-1995), which shows that the institutional reform led to improved local representative democracy.Show less
Research master thesis | Arts and Culture (research) (MA)
open access
The societal role of museums has changed and is still constantly changing, the Museo de América in Madrid, Spain, is no exception. This research aims to capture the evolving role of museums by...Show moreThe societal role of museums has changed and is still constantly changing, the Museo de América in Madrid, Spain, is no exception. This research aims to capture the evolving role of museums by taking on the Museo de América as a case study. The Museo de América was chosen due to the limited international scholarly literature on the relationship museums in Spain, a once powerful and important colonial power, have with contemporary museological discourse. The research question is therefore, to what extent is the Museo de América able to create ‘contact zones’ and capture the changing narrative about indigenous communities in the Americas. This thesis uses Anthony Shelton’s methodology underlying critical museology as a set of tools as well as James Clifford’s concept of ‘museums as contact zones’. This research provides a better understanding of how an ethnographic museum in Spain addresses the colonial and authoritative practices in which museums were built on. The analysis of the Museo shows that some of the Museo’s underlying curatorial practices are consistent with Shelton’s methodological interdictions. However it also identifies a few limitations to the Museo’s capacity to navigate the challenges of bridging historical and cultural gaps across centuries. The most significant being the lack of an indigenous voice regarding the conquest itself. By including indigenous voices and presenting them as active participants, museums can play a critical role in providing visitors with the tools to better understand the evolution of modern society’s values.Show less
