Okinawa’s position within Japan has been historically regarded with ambivalence in Japanese mainstream discourse, which is particularly visible in Japanese cinema featuring the prefecture. Such...Show moreOkinawa’s position within Japan has been historically regarded with ambivalence in Japanese mainstream discourse, which is particularly visible in Japanese cinema featuring the prefecture. Such films have been predominantly produced by mainland Japanese directors, and have often been criticized for depicting Okinawa in stereotypical and essentializing ways. This thesis places Paradise View, the understudied first feature film of Okinawa-born independent director Takamine Gō, in the above-mentioned context and focuses on the film’s thematic and narrative analysis to put it forward as a case study of a film that actively evades and challenges such representations.Show less
This thesis discusses, through a literary survey and fieldwork in Tokyo and Osaka, the question to what extent there is an imperial legacy or discourse resonating in Japanese museums. In particular...Show moreThis thesis discusses, through a literary survey and fieldwork in Tokyo and Osaka, the question to what extent there is an imperial legacy or discourse resonating in Japanese museums. In particular, it focuses on the representation of the Ainu and Koreans between 1977 and 2017 in the Tokyo National Museum (Tohaku) and the National Museum of Ethnology (Minpaku), located in Osaka. Research shows that an imperial discourse is present, particulary in the linguistic terminology and items put up on display. However, as the case study of the Ainu in Minpaku shows, there is room for change and balance.Show less
The thesis focuses on the textual representation of theaters in Hangzhou during the Southern Song Dynasty. The booming economy during the Song Dynasty stimulated the recreational consumption,...Show moreThe thesis focuses on the textual representation of theaters in Hangzhou during the Southern Song Dynasty. The booming economy during the Song Dynasty stimulated the recreational consumption, especially the development of comedies and dramas. Such trend contributed to the emergence and improvement of theatrical spaces. As the thriving performances boosted the dividing hierarchies of the theatrical spaces, the most talented folk artists and performers presented performances in the central stages and had opportunities to serve the court. The mutual influences between court bureau and folk artists promoted the development of the theatrical spaces, attracting merchants and vendors to do business in the theatrical spaces. In the urban literature, the related recordings were enriched with the descriptions narrating the transformation of theatrical spaces. Repeated in the urban literature with different representations, the images of theatrical spaces were represented as commercial centers or part of urban spaces. Such representations made the theatrical spaces gradually become the symbol of the dynamic urban life and the memory of urban prosperity.Show less
Casting the Other in a villainous light has been a trend long known in the U.S. entertainment business. Asian villains have been employed since the late 19th century, leading to the birth of the...Show moreCasting the Other in a villainous light has been a trend long known in the U.S. entertainment business. Asian villains have been employed since the late 19th century, leading to the birth of the yellow peril trope in entertainment narratives. More recently a trend of shifting this yellow peril trope from Chinese, Japanese, or any other Asian nationality to North Korean has appeared. Since the late 20th, but mostly 21st, century there has been an increase of North Korean antagonism in entertainment media. This thesis examines this shift and attempts to explain and explore this, including the effects essentialist representations (could) have on the consumer. This is done by analysing 3 films and 2 video games, all dealing with North Korean antagonism as narrative. There are also parallels drawn between the increase of North Korean antagonism in fiction and real politics, as fiction often feeds off of reality to create dramatic storylines.Show less
