This thesis closely examines the North Korean film Hong Kildong, which is a film adaptation from 1986, based on the tale of Hong Kildong. It then compares the film version with a pre-modern...Show moreThis thesis closely examines the North Korean film Hong Kildong, which is a film adaptation from 1986, based on the tale of Hong Kildong. It then compares the film version with a pre-modern literary version of Hong Kildong Chŏn. The research field of North Korean cinema lacked a nuanced deconstruction of the ideological message conveyed in Hong Kildong. Consideration of the background motifs and themes was found to be generally overlooked. This thesis aims to provide for this lack. By analyzing the North Korean film version, while using the Confucian Five Moral Relationships and virtues as a yardstick, this thesis identified how close the story followed or deviated from the Confucian ethics. The comparison between Hong Kildong (film) and Hong Kildong Chŏn (pre-modern fiction) pointed out what (ideological) changes had been made, changes mostly found in the character traits and the development of the storyline towards the end of each story, and helped to identify Juche ideological elements. Through the hypothesis, “Hong Kildong reflects the same ideological changes as have been made to create the yunsaek type kodae sosŏl,” I was able to lend credit to the implications that come with the ideological changes I detected, since they then do not apply merely to this film. My research results confirmed that the hypothesis was indeed correct. Art theory in North Korea has taken on a unified form which is broadly applied to every artistic activity, including both film and literary adaptations of pre-modern works of fiction. The same ideological development can be discerned in both types of adaptation. The central theme, or “seed,” of Hong Kildong can be defined as the revolutionary transformation from the old, corrupt Chosŏn society to the new, liberated Chosŏn, which is promised to those who move towards the sun, which is symbolism for Kim Il-Sung and his Juche thought. Elements that suggest ideas contrary to Juche ideology were consistently found within the realm of Confucian thought. Confucian thought however was not condoned, nor completely condemned in the film, but rather improved to make a smooth transformation to Juche ideology possible. This suggests that Confucian thought remains, however limited, a component in the North Korean people’s belief system. However, hidden elements that reflect anti-Juche or anti-Party Line thoughts, which might have been an influence of Shin Sang-Ok’s own ideas, could not be found.Show less
In this thesis, I have analyzed the meaning of family, mother(hood), and mothering as depicted in Gong Ji-young’s novel My Happy Home (chŭlgŏun naŭi chip). The analysis of this novel is based on...Show moreIn this thesis, I have analyzed the meaning of family, mother(hood), and mothering as depicted in Gong Ji-young’s novel My Happy Home (chŭlgŏun naŭi chip). The analysis of this novel is based on various literature on the concepts of household, family, mother(hood), single motherhood, and types of mothering, in addition to a discussion of the situation of South Korean families and mothers. I discuss the various methods Gong uses to indicate how family, mother(hood), and mothering are conceptualized by society and how she herself defines these concepts. The analysis indicates a level of rejection, but also agreement with society’s view on these concepts and Gong’s own interpretation.Show less
