Romance fiction inevitably reveals much of the romantic values and traditions of its time, reflecting cultural and societal changes that promoted changes in romance literature. Despite the many...Show moreRomance fiction inevitably reveals much of the romantic values and traditions of its time, reflecting cultural and societal changes that promoted changes in romance literature. Despite the many changes and interpretations romance fiction has seen, the idea persists that romantic comedies promote fantasies rather than reflect real life. However, a genre must draw from related cultural phenomena in order to persist. As our romantic values and our experiences change, so do the ways these stories are told. Romantic comedy engages with our discourse on romance and relationships and though they may be packaged differently today, they are essentially what they have always been: stories about relationships, about intimacy, about the human experience of connecting, intimately, with another. Modern works such as Sex Education, Wanderlust and Grace and Frankie demonstrate how the genre of romantic comedy has redefined itself. These television shows reveal an awareness of the genre’s conventions, the scepticism, the struggle and yet the wish persists to believe in the happily-ever after.Show less
Bachelor thesis | Film- en literatuurwetenschap (BA)
closed access
In this thesis I analyse director Guillermo Del Toro's film The Shape of Water, comparing it to Beauty and the Beast tales and the classic monster movie. I do this using theories of melodrama,...Show moreIn this thesis I analyse director Guillermo Del Toro's film The Shape of Water, comparing it to Beauty and the Beast tales and the classic monster movie. I do this using theories of melodrama, looking, and the (monstrous) Other/other.Show less
Research master thesis | Linguistics (research) (MA)
open access
This thesis aims to give a syntactic account of the inflected infinitive in five Romance languages: European Portuguese, Brazilian Portuguese, Galician, Sardinian and Old Neapolitan. In these...Show moreThis thesis aims to give a syntactic account of the inflected infinitive in five Romance languages: European Portuguese, Brazilian Portuguese, Galician, Sardinian and Old Neapolitan. In these languages, infinitives agree with their nominative subject, but lack tense, mood or aspect morphology. The analysis is based on the idea that φ-features originate on C (Chomsky 2004) and can be kept on C, shared with T or inherited by T (Ouali 2008). It is argued, however, that T in infinitival clauses is defective and therefore cannot inherit the φ-probe; this probe is instead located on another functional head (cf. Miyagawa 2010). Which functional head exactly is determined by the semantics selected for by the matrix verb. The difference in locus of the φ-probe accounts for the different word orders attested.Show less
