This thesis examines how Ruth Ware's The Turn of the Key (2019), Floria Sigismondi's The Turning (2020) and Mike Flanagan's The Haunting of Bly Manor (2020) portray the governess as the true victim...Show moreThis thesis examines how Ruth Ware's The Turn of the Key (2019), Floria Sigismondi's The Turning (2020) and Mike Flanagan's The Haunting of Bly Manor (2020) portray the governess as the true victim of the story, instead of the children, as perhaps happens in Henry James's The Turn of the Screw (1898).Show less
Constructivism has introduced a new perspective on International Relations (IR) which emphasizes ideational factors for the formation of state interests. Similarly, the so called ‘Emotional Turn’...Show moreConstructivism has introduced a new perspective on International Relations (IR) which emphasizes ideational factors for the formation of state interests. Similarly, the so called ‘Emotional Turn’ in IR advocates for an academic assessment of emotions in international politics and how the experience of feelings like humiliation, pride, anger shapes state behavior. This research aims to contribute to the Emotional Turn by proposing an academic assessment of the expression of victimhood as a dimension of a state’s identity using the case study of Israel. As IR theory is becoming more aware of ideational and emotional drivers of state action, conceptualizing victimhood in International Relations is an important endeavor. Victimhood is a social psychological concept describing a status or identity that the victim ascribes to themselves after suffering trauma. What are the emotional categories underlying a self-ascribed victimhood in Israel’s identity discourse towards international community? The methodological assessment employs Emotions Discourse Analysis to identify the categories and connotations of victimhood uttered in the speeches of Prime Minister Binyamin Netanyahu in his Annual Addresses to the UN General Assembly from 2015 to 2017. Understanding the emotional component of identity markers such as victimhood might offer policy makers new ways of reconciling ongoing conflicts and add to the ongoing debate on the impact of emotions in International Relations and discourse analysis.Show less
This thesis will examine the ways in which the concept of victimhood is produced by victims’ groups connected with the Aum affair and how it was received by Japanese media in terms of a renovated...Show moreThis thesis will examine the ways in which the concept of victimhood is produced by victims’ groups connected with the Aum affair and how it was received by Japanese media in terms of a renovated mutual understanding between victims and journalists, which resulted in an improvement of the victims’ treatment on information channels. The research takes into consideration the experience of three support groups (Chikatetsu Sarin Jiken Higaisha no Kai, Kanariya no Kai and RSC) that will be used as case studies to analyze the evolution and the impact they had both on victims’ lives and information media. It aims to investigate the role of NPOs and victims’ group activities in influencing public opinion regarding victims’ redressing issues. Furthermore, it intends to explore victims’ struggle against the proliferation of New Religious Movements derived from the disbanding of Aum Shinrikyō and constituted mainly by its former members, such as Hikari no Wa 光の環 and Aleph アレフ, which are suspected of harboring the same doctrines that led Aum to be a danger for Japanese society. In doing so, victims used memory, both individual and collective, as a tool to make their case and highlight their instances even when the attention towards the Aum affair declined in Japanese media. Memorial constructions regarding the incidents, commemorative events, documentaries and victims’ groups’ activities accounts established a legacy that goes beyond the individual experience as a victim or a perpetrator, rather producing a collective instance of victimhood.Show less
