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Keijser, Anne Sytske
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Vossengeesten en retributie
De stad Beijing in Chinese stedelijke cinema: Uitgelicht op grond van de films Beijing Bicycle (2001) en Lost in Beijing (2007)
From Chinese Nationalism and Anti-Foreignism to the Beginning of Hongkongnese Identity
The representation of leftover women (shengnü) in Chinese film
Forlorn Heritage: The Transformation of Qing Dynasty Manchu Wrestling to Chinese Shuaijiao in Republican and Modern China
Orientalism in the Chinese Horror Films of Asia Extreme
Righting Wrongs: A Study of Certain Socio-Legal Phenomena in Wuxia Films
De invloed van politieke geografie op de films van Chinese diaspora: Een vergelijking tussen In the Mood for Love en A Brighter Summer Day
Seks in 'Lust, Caution' en 'Summer Palace': Wat is de functie van seks in deze films?
Hollywood-karakteristieken in Chineestalige films
Lin Daiyu en Eline Vere
Chineestalige 'ecocinema'
Angst, onzekerheid en gemis tijdens de Culturele Revolutie: De lijdensweg van de achterblijvers op het witte doek
'To Live': Een kwestie van overleven in tijden van politieke veranderingen
De constructies van gender en seksualiteit in de minderheidscinema van Taiwan
Wang Yun’s Fanhua meng: a call for changing gender roles?
Wang Yun’s Fanhua meng: a call for changing gender roles?
Flying Sword Fighting Females: The depiction of women in wuxia films over the last fifteen years
Grown-up Dolls: An Analysis of Professional Critics' and Reader's Reviews of Three Beauty Writers
Lost of Love in Beijing? De weergave van de Chinese vrouw in de films van Li Yu en Ning Ying
Inherently Recognizable: A Jungian View on Chinese Film
Geestverschijningen in De droom van de Rode Kamer: Qin Keqing als tishengui
De verstedelijking van China in drie films van regisseur Zhang Yang
Through a Glass, Darkly and Face to Face: mirroring and self-referentiality in Hongloumeng's Moon Festival celebrations in Hongloumeng
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