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Hybridity in Post-Fashion Photography: Juergen Teller’s Miu Miu Resort 2020 Advertisement Campaign
De verstorende leegte van een muziekgebouw in Porto
Through the Green Screen: Place and Space in the Photo-Sculptural Installations of Felicity Hammond
Hiding behind the Disruptions: When Remediating Transcultural Memories Unintentionally Obscures the Local Diversity
Het belang van het conflict in Man Ray’s fotoportretten van Rrose Sélavy. Ontwrichting in representatie van gender en het ‘zien’ en ‘gezien worden’
Ontwrichtende reflectie op de maatschappij door Yue Minjun Een onconventionele wijze om sociaal-politieke kwesties af te beelden
Krzysztof Wodiczko: A Therapy Session with Democracy
Past – Present: Two Approaches Towards ‘Montaged’ Meaning and Memory in a Box with Loose Photographs
How paradoxes in contemporary art support disruptive reforms: Oreet Ashery’s Revisiting Genesis as a play of memories and affect
Stilstand in beweging: Intermediale Ontwrichting door Auguste Rodin en Vaslav Nijinsky
Anticipatie op klimaatverandering als ontwrichtingsstrategie
Disruptions in the Relationship Between Humans and Nature: How this is reflected in teamLab’s interactive digital installation Graffiti Nature: Lost, Immersed and Reborn (2018)
Unearthing Arte Povera's early richness. Opening up to Arte Povera's rich interpretations situated in between the movement's inherent contradictions by adopting a Grotesque approach to openness
Agonistic Dissensus: powers and limits. A comparative analysis of a mural and a cartoon
Who's laughing?
Creating Afterlives: Preserving Traces of Performance Art from a Museological Perspective
Blurred Boundaries in Early Dutch Photography: Petit Genre and the Photogram
Prostituee, Stripper, Pornoster, Feminist en Kunstenares Vrouwelijke seksualiteit en pornografie in de hedendaagse performancekunst van Annie Sprinkle:
The Ecofeminist Lens: Nature, Technology & the Female Body in Lens-based Art
The Art of War: An Interrogation of the Aesthetics and Poetics of Visual Representations of Conflict
Takashi Murakami's hybride kunst en de relatie met Nihonga
Red is for Reconstruction
The Violence of Photography - Metaphors in Photography Language
Documenta14 in ruins: Participation and antiquity in the 14th edition of documenta

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