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Westgeest, Helen
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(1 - 24 of 44)
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Hybridity in Post-Fashion Photography: Juergen Teller’s Miu Miu Resort 2020 Advertisement Campaign
Through the Green Screen: Place and Space in the Photo-Sculptural Installations of Felicity Hammond
Past – Present: Two Approaches Towards ‘Montaged’ Meaning and Memory in a Box with Loose Photographs
Unearthing Arte Povera's early richness. Opening up to Arte Povera's rich interpretations situated in between the movement's inherent contradictions by adopting a Grotesque approach to openness
Creating Afterlives: Preserving Traces of Performance Art from a Museological Perspective
Blurred Boundaries in Early Dutch Photography: Petit Genre and the Photogram
The Ecofeminist Lens: Nature, Technology & the Female Body in Lens-based Art
The Art of War: An Interrogation of the Aesthetics and Poetics of Visual Representations of Conflict
Red is for Reconstruction
The Violence of Photography - Metaphors in Photography Language
Documenta14 in ruins: Participation and antiquity in the 14th edition of documenta
Visual Interventions in the Interstice: The MNLA and Group Agency
In Stitches: embodied spectatorship and embroidered photographs
Surveying the Drone Vision in Blue Sky Days
VAPOUR, LIQUID, SOLID: Investigating a tryptic in water by Olafur Eliasson as mediator between man and his environment
In the Name of Art
Disordering Voices: The Value of Disembodied and Synthesized Voices in Contemporary Artist's Film
Turning the Page. The medium of the photobook approached through the act of walking and wandering reader-spectatorship.
A Photograph’s Life and Afterlives. A theoretical analysis of the meanings created and reflected by a vernacular photo collection depicting a family of Polish refugees in Uganda, 1942 - 1952.
Violent Aesthetics in Whiteness
Visualizing Black Female Sexuality: The appropriation of controlling imagery in Les Trois Femmes Noires and Courbet 3 (Sleep) by Mickalene Thomas and The End of Uncle Tom and A Subtlety by Kara Walker
The work of Richard Mosse regarding the representation of the refugee crisis
Photographer’s Ideas and Constructed Social Reality: Conceptual Photography of Jeff Wall
"Unconquered still": the continuation and dissemination of Malcolm X’s story through artistic appropriation in Ayman Yossri’s Subtitles series
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